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The Top 25 Dreamcast Indie Games... Voted by You! (2024 Edition)

At the beginning of the year, we put the call out to the community to vote for their favourite indie releases for the Sega Dreamcast, and, as always, you have all responded in a big way! We had more than double the number of respondents than the last time we did this vote way back in 2016, with 71 different titles receiving a vote and Dreamcast fans from 17 countries over five continents participating. Well, we've now counted up all your votes, and can finally reveal the results of the 2024 Top 25 Dreamcast Indie Games poll!

As well as our Top 25 indie game ranking, we also asked you to name your favourite Dreamcast indie developer, favourite Dreamcast indie publisher, and most anticipated future Dreamcast indie release, and these results too are presented below. As an added bonus, and because of the sheer number of replies we received, I've also been able to give out some regional awards for the favourite indie games in different locales - so we can present the US, UK, European and Rest of the World regional awards for best indie games alongside everything else... which is exciting if you're a bit of a nerd like me!

My thanks goes out to everyone who took the time to respond and share in our common love of the Dreamcast indie scene - it's been a really, really interesting period of voting, with positions shifting daily and some big surprises to announce!

Without further ado, let's head straight into the Top 25 - if you'd like to follow along with the Junkyard crew (along with The Sega Guru and a return appearance from founder Tom Charnock) as we reveal these positions in "real time", then you can check out episode 128 of the DreamPod podcast on your podcast platform of choice, or on Buzzsprout.


25. Fast Striker

2010 - NG:DEV.TEAM

18 places down on 2016 poll ranking

The first entrant in this year's Top 25 and the first real surprise. Fast Striker may be getting on a bit now (14 years since its initial release), but it remains a technically competent and good-looking vertical shooter that is both accessible for the novice, while also packing some challenge for the veteran shooter fanatic. Whilst it peaked at the number seven spot in the 2016 indie poll, it's never managed to break into any of our Top 200 Dreamcast games lists, and only just makes it onto this Top 25 indie list - which feels a little unfair for it, really. If you're looking to pick this one up you'll have to rely on eBay or other online sales, as copies are no longer able to be purchased new. Ripe for a re-release though, surely?

24. Rocketron 

2021 - Astro Port / JoshProd

New entry

A criminally low ranking for this one. Astro Port and JoshProd's epic sci-fi Metroidvania-style platforming adventure is a hugely enjoyable title that sees you flying around levels via a rocket pack, taking down an array of imposing enemies and exploring an expansive world. Unfortunately, it may be the case that this one was lost in the mix of other numerous JoshProd releases at the time, and despite reaching a very respectable position of 117th in our 2023 Top 200 games list, it struggled to get much attention in this indie poll. Those who have played Rocketron, however, tend to love it, so I will encourage anyone reading this to pick up a copy from the PixelHeart store and give it a try.

The Complete Guide to Commercially Released Dreamcast Indie Games

The fact that we're still blathering on about the Dreamcast some 20 odd years after the console's demise is testament to two things - the fact that we're sad little people still holding on to a mere glimmer of nostalgia about our youth as we rapidly approach middle age, and also the fact that the community will just not let this console die. We obviously don't talk about the first of those points much (we don't want to remind ourselves that we're becoming less and less culturally literate with every rotation of this damn rock around the sun), but we do talk about how "alive" the system is all the time. Probably too much, to be honest, as many people like to put the Dreamcast firmly in the "past" folder in their brain, preferring to remember what it was like when it was new and current. This is completely understandable, to view the console solely through a sense of nostalgia especially now that we have so many ways of experiencing the console's library which don't rely on having shelves full of games (or spindles full of CD-Rs). We're in that stage of the console's post-life cycle that has many people who left their video gaming behind when they were young dipping into the console once more, stirring up their memories of happier times, and no doubt probably quite confused as to why some of us never left the machine in the past and have continued to be fascinated by Sega's last great home endeavour to this very day.

Whilst the nostalgia is to be expected, it is the vitality of the current Dreamcast scene which keeps us writing about it. In between the tired posts of social media influencers asking people if they remember Sonic Adventure or Crazy Taxi, there has been an incredibly active scene covering every element of the Dreamcast for years. We have new hardware and controllers, games with online modes re-activated, more translations of Japanese games than I can actually keep track of, books, magazines, an entire series of arcade titles ported to the console, and a strong homebrew community that is creating some astonishing things. And it's that last point that allows me to pivot, finally, towards the point of this article. Alongside homebrew ports of classic titles (as I write this, the recent demo of the Metal Gear Solid 2 port is literally mind blowing) and fun little projects, we've now had 20 years of "proper" retail-released indie titles for the Dreamcast. My aim here is to document all of these in one article. I do love a long article...

I love Dreamcast indie titles. While they are not officially licensed by Sega, there is something very special about receiving a physical version of a game to be played on a console a quarter of a century old. The quality of the Dreamcast indie scene varies, which is to be expected, but even when a game is a bit crappy, I still have a certain sense of respect that it has been released on the console at all. Of course, I am a big weirdo, and will pick up anything you slap a "Dreamcast" label on, but for those who want to be a bit more selective with their hard-earned cash when expanding their Dreamcast library, a subjective view is always useful. In this article I hope to do just that - as well as take a look back at the various versions of the games that were released, where you can pick them up today, and any other interesting things that I can cram in before losing all excitement about writing this already massive article. This will also be constantly updated (hello, future people!) with my views on any new indie release, which will hopefully allow it to be a one-stop-shop for anyone interested in the broad DC indie scene - this will of course sit alongside our regular indie reviews from the entire DCJY team (I can also recommend Laurence's superb roundup of the indie scene in this article, if you want a slightly different perspective). It's also worth checking out our directory of indie developers and publishers, where you'll find direct links to all those involved in the indie scene.

Now, I need to add some context and "rules" here. The scope of this article will not include every single homebrew port or project - the first rule of the article is that it had to have been released physically and could be purchased by anyone. Of course, you can pick up a copy of any of the homebrew ports with nice printed inlays on Etsy - so that's when the second rule comes in: the physical release must have been officially sanctioned by the developer or rights holder. Finally, only full releases will count - so no demos, hacks or mods will be included, although total conversion mods that became standalone games in their own right do count. For the context of this article, only the games that meet the criteria I've just established will be called "indie releases". Will I probably end up breaking these rules to include something that I probably shouldn't? You betcha. Welcome to the wonderful world of "Mike doesn't stick to his own rules". 

Enough of my nonsense (well, enough of this opening bit of nonsense, there's a lot more nonsense that lies ahead, I'm afraid!)  - on with the article!

Show Report: Nottingham Video Games Expo 2022

The weekend of 17 & 18 December 2022 saw the inaugural Nottingham Video Games Expo take place in...er...Nottingham. The city of Nottingham, England for the uninitiated, is the ancestral home of such luminaries as fictional horse jacker Robin Hood, painfully unfunny comedian Jon Richardson, professional face puncher Carl Froch, and Manchester United legend Andy Cole. It now also has its own gaming festival in the form of NottsVGE.

Naturally, The Dreamcast Junkyard took the opportunity to represent at this brand spanking new event, and it was a pleasure to be able to meet fellow Dreamcast enthusiasts, exhibitors and event visitors to spread the gospel of the Dreamcast to all who would listen.
Punters puntering
Several members of the editorial and podcast crew from the 'Yard manned our small but perfectly formed area, with Tom, Jaz, Andrew, Lewis, Kev and Lozz all taking turns to stand around and bore anyone who happened to wander near on the intricacies of the Dreamcast's genetic makeup or the splendour of the system's library and range of peripherals. Poor souls. The public, I mean.
Lozz, Lewis, Jaz, Andrew, Tom and Kev
It wasn't all fun and games though (or was it?), as we had a rather special competition to run. As alluded to in a recent post, our friends at Bitmap Bureau supplied us with several copies of the excellent Xeno Crisis to give away to those who were hardy enough to register a high score on the superlative Smash TV 'em up using the Dreamcast Twin Stick controller. 

Around 30 people took to the hotseat to test their mettle, including both Dan and Nick of WAVE Game Studios, and Dean Mortlock of SEGA Powered. Alas, the ultimate winner turned out to be none other than Aaron 'The Gagaman' Foster, a man who assisted in the early days of both the DCJY blog and DreamPod. It wasn't a fix, honest.
Elsewhere, anyone who visited our little section of the expo floor was able to sample some lightgun action with Houe of the Dead 2 and Confidential Mission, or the traditional delights of Sega Rally 2, Power Stone, Virtua Tennis, Cosmic Smash, Crazy Taxi, Yu Suzki's Gameworks and a range of other titles when they were available/the Dreamcasts were behaving and not throwing up random issues such as controller ports not working or AV ports refusing to play ball with the screens.

NottsVGE was a much more intimate event than previous excursions (Play Expo Blackpool 2018 was probably our largest, with around 15 Dreamcasts available for people to play), but what was especially nice was the abilty for all of us from The Dreamcast Junkyard team to actually hear and engage with visitors, and have some audible conversations (other events tend to be quite loud due to the size of them). 

It was also quite fascinating on a personal level to see how the younger visitors approached the Dreamcast and the peripherals on offer, many of them having never seen the console before. The impressions were overwhelmingly positive, showing that the SEGA brand can still bring a smile to the faces of kids who aren't as au fait with the brand's hardware as us old farts are.
The next generation of Dreamcast gamers.
Paul, Marc and Dean from SEGA Powered.
NottsVGE offered a range of sellers who were hawking their gaming wares, along with a couple of teams you'll no doubt be familiar with if you're in any way interested in the Dreamcast. First up, and as mentioned, WAVE Game Studios were in attendance selling and demonstrating a range of titles from their impressive stable, with Intrepid Izzy, Alice Dreams Tournament, Rush Rush Rally Reloaded, Shadow Gangs and Postal all popular. 
Dean was forced at gunpoint to autograph a copy of SEGA Power.
Our friends from both SegaMags and SEGA Powered were also at NottsVGE and it was really nice to be able to meet the legendary journo/editor Dean Mortlock in the flesh for the first time. Matt and James from Shenmue Dojo were also in attendance, as were Get Well Gamers, YouTuber TootyUK, and community magazines Evercade Evolution and Amiga Addict.
Tom and Lewis with Dan and Nick from WAVE Game Studios.
On the main stage, the team from The Retro Hour interviewed a trio of guests from the golden era of Rare's time as Nintendo's third party development darling; while later a Q&A session was hosted by Paul Drury from Retro Gamer Magazine. 
The Retro Hour introduced guests from Rare.
Tom with Skilljim and Matt from Shenmue Dojo.
A rather popular Mario Kart 8 tournament was facilitated by Nottingham Nintendo, but the real coup de grâce was a battle royale between WAVE Game Studios and The Dreamcast Junkyard. In a true test of guile and skill over the course of two games of three rounds (Power Stone 2 and Virtua Tennis), these two behemoths went toe to toe...only for WAVE to trounce us 2-0. Naturally, the blame was levelled at Lewis' cack-handed Power Stone 2 skills and Tom's controller port only working intermittently. Um.
At least someone was having fun...
Liberties were taken to be honest.
The final insult of the event came when James 'Jaz' Harvey unironically subjected several hundred paying event-goers to a disgusting display of hubris, with gameplay from Spirit of Speed 1937 being displayed on a giant projector screen. If NottsVGE don't invite us back again, I'm confident this act of wanton terrorism will be cited. Oh, and there was Kev wandering around offering people cupcakes of questionable origin.
Would you take a free cupcake from this man?
Congratulations and thanks to both James (ItsMuchMore) and Alex (gamesreup) for inviting us to be a part of their successful debut event. It all ran smoothly and they should both be immensley proud for putting on such a great expo and generally just being top blokes. 
Overall though, it was just really nice to meet people and talk face to face with fellow gamers who either have a passion for the Dreamcast; or who had never even seen one before. Here's to the next Nottingham Video Games Expo, whenever that may be.

Come and see us at Nottingham Video Games Expo and win cool Xeno Crisis swag!

It's been almost four years since The Dreamcast Junkyard last attended a live gaming event, and that is definitely four years too many. It was back in 2018 that we attended Play Expo Blackpool and hung out with those lovely chaps Adam Koralik and Dan 'DJ Slope' Ibbertson; and to be honest it seems like a lifetime ago. This is set to be rectified in December 2022 when The Dreamcast Junkyard attends Nottingham Video Games Expo in...erm...Nottingham, UK.

Adam was impressed with Kev's home made T-shirt.

Taking place over the weekend of 17th & 18th December (which is also the weekend of the 2022 World Cup final, footy fans) at the Richard Herrod Centre, NottsVGE is a fairly intimate event but one which is bristling with the cream of the UK gaming scene. Amongst the confirmed attendees are WAVE Game Studios, SEGA Powered, gamesreup_, It's Much More, SEGA MagsRare, and The Retro Hour and many others too; alongside a whole host of special guests and traders selling gaming gear. There's also a bar. Important detail, that.

Tried to make this lot look as sexy as possible.
Alas, this thing was a lost cause.

As mentioned, several of the Junkyard's podcast and editorial crew will be there manning our dedicated stand (where you can play some Dreamcast games or just generally loiter and chat if you so wish), and we've teamed up with those lovely folks at Bitmap Bureau to run a pretty cool little competition. 

The rules are simple: play a game of the excellent Xeno Crisis and record your highest possible score using the Dreamcast Twin Stick controller. If you place among the top scorers on the day, you'll bag an awesome prize! We have Xeno Crisis T-shirts and 6 copies of the game to give away on several formats (Mega Drive, Dreamcast and Neo-Geo CD), as well as a copy of the Xeno Crisis OST and a wad of Xeno Crisis promotional postcards.

If you're not familiar with Xeno Crisis, we reviewed it here at the Junkyard upon release for the Dreamcast in 2020, and Mike Phelan was pretty impressed with what the sci-fi themed top-down shooter had to offer:

"I'll be playing Xeno Crisis for some time, and I look forward to each and every re-entry into that damned colony and it's ugly denizens...Because it's fun. Bloody, silly, exciting fun. And that, really, is the greatest compliment I can pay any game. Indie Dreamcast developers - a new challenger has arrived in the arena, and it's here to show you how it's done."

Big thanks to Mike Tucker at Bitmap Bureau for supplying these prizes. If you haven't got your tickets already, head over to the NottsVGE website or give the event a follow on Twitter

We're only in attendance on Saturday 17th December so if you want to be in with a chance of either meeting Kev and seeing/touching/sniffing his glorious bootleg T-shirt, or bagging one of our Xeno Crisis prizes, then you know what to do. We look forward to seeing you there!

Review: Postal

For gamers of a certain age, Postal is a powerfully evocative title. Those who played it will not have easily forgotten their experience, and indeed, even those who haven’t played the game (myself included until recently) will likely recognise the name due to its notoriety. At its core this is because the entire raison d'être of Postal is to entertain its players through on-screen representations of unflinching gratuitous violence. Not violence in the context of a justifying purpose, or under circumstances that bear no semblance with reality, but remorseless mass shootings by a lone gunman.

Therefore, understandably, Postal will not be to everyone’s tastes. However, even those who find the game hard to stomach may have some appreciation for its developers who, whether intentionally or not, pushed back against those who sought (and still seek) to stifle the artistic freedom of game creators. Developed by Running With Scissors and originally released for PC and Mac in 1997, Postal arrived in the midst of ill-founded outrage directed towards video games by self-appointed moral arbiters and sensationalist sections of the media. Rather than focusing their ire on any of the other obvious causes of society's ills (say massive global inequalities, persistent unemployment, or chronically underfunded public services), the narrative being pushed by some was that video games were an exceptionally dangerous source of moral corruption. Within this context, Postal struck a defiant tone. 

A mere 25 years on, Postal has now finally made its way to the Dreamcast, thanks to the meticulous work of Dan Redfield, who took on the challenge of porting the game after Running With Scissors released the source code to the public in December 2016. When the original developers jokingly asked for a Dreamcast version to be produced, I seriously doubt that they expected this outcome: a near flawless port running at a solid 60 frames per second, packed with features, and published professionally in a physical medium. The latter aspect is down to Norwich-based WAVE Game Studios, an outfit who have quickly cemented their reputation within the Dreamcast scene since publishing their first title for the console, Senile Team’s Intrepid Izzy, in August 2021.

Ok, enough with the pretentious preamble, what about the game itself? For those unfamiliar with it, Postal is an isometric shooter, with a smattering of top-down sections, in which the player takes on the role of an unnamed protagonist (simply referred to as ‘Postal dude’). As alluded to above, the premise of the game is quite simple: you roam from level-to-level taking down as many enemy combatants as possible. And although it isn't a prerequisite for progress, the player is presented with ample opportunities to slaughter seemingly innocent civilians too. There really isn’t a great deal of plot: each stage is preceded by a cryptic and often foreboding message, presumably stemming from the pen of the main character, which along with the visuals suggests that Postal dude is gripped by some kind of madness. This lack of plot depth doesn’t necessarily detract from the game though—the no-nonsense approach is focused on dropping you straight into the action and keeping you on your toes at all times. This lends itself nicely to short bursts of gameplay, and the dry sense of humour that occasionally rears its head ensures that the mood isn't as depressing as the subject matter might suggest at first glance.

To facilitate your mission, Postal dude is equipped with a range of weapons with varying characteristics (range, damage, shot frequency), from the low-powered sub-machine gun, through to the more outlandish and spectacular napalm launcher. As with any shooter the aim is to hit your targets while avoiding taking damage. On the face of it, the gameplay of Postal can appear to be quite invariable and a little shallow. On the easier modes it can certainly be played in a mindless manner, with your character capable of tearing through stages while soaking up incoming fire to little effect. However, at its heart, the gameplay is rooted in strategic thinking – something which becomes mandatory if you wish to progress in the harder difficulty settings. Making careful use of terrain, being mindful of your inventory, and deciding when to fight and when to run, all need to be brought into play if you want to actually do well.


The Dreamcast commercial indie scene enters a 'Golden Age'

When Sega pulled the plug on the Dreamcast in 2001, few would have predicted that our beloved little white box would still be pushing out new titles 20 years later. Flicking through the pages of the multitude of gaming magazines that were vying for market share at the time, readers were presented with a journalistic consensus that the Dreamcast was well and truly dead (note: for younger members of the audience, magazines were bounded sheets of paper with writing and artwork printed on them).

Of course, by industry standards, this assessment was bang on the money. The gaming reporters may well have known that a trickle of official releases would continue to see the light of day for a few more years, or had an inkling that a sizeable portion of the Dreamcast’s enthusiastic fanbase would continue to support homebrew projects, some of which could conceivably be released in physical form on a small scale. In the terms of reference that mattered to the industry and the wider public though (revenue, profit, audience size), the writing had already been on the wall for some time.

Where it all began...

Although by these standards the Dreamcast's new releases are still undoubtedly small fry, the commercial Dreamcast indie scene has been through an astounding boom in recent years; one which is becoming hard to ignore. The tongue-in-cheek opinion shared amongst Dreamcast fanatics for many years that "the Dreamcast is a current gen console" is getting less and less absurd by the day. What began with the release of Cryptic Allusion’s Feet of Fury in 2003 (more info here) has snowballed to a point where 14 indie games were released in 2021. Furthermore, there are as many as 30 Dreamcast games forecast for release on a commercial basis in 2022 and beyond - a figure that is edging close to the 50 or so officially licenced releases seen in Europe in 2001, and which far outstrips the 9 released in 2002.

Of course, the rocketing quantity of releases doesn’t single-handedly uphold the claim that we’re in a “golden age” for the Dreamcast indie scene, but there are many other signs that accompany this trend. For one, the variety of games available is wider than ever, putting to rest the persistent trope that all the Dreamcast indie scene has to offer is shooters (which to be fair, had some validity in the mid to late noughties). Everything from platformers, fighters, puzzlers, RPGs, racers, and visual novels are finding a home on a professionally printed Dreamcast-compatible MIL-CD these days. Furthermore, there has been a diversification of contributors who are throwing their hats into the ring. Longstanding Dreamcast developers with a mountain of credibility stored up, such as Senile Team, are thankfully still here, but they have also been joined by a new wave of developers and publishers that are rapidly earning their stripes, including the likes of PixelHeart/JoshProd, LowTek Games, RetroSumus, The Bit Station, and WAVE Game Studios to name but a few.

What really adds weight to the hypothesis that the Dreamcast indie scene is entering a golden age though is the quality of many of the games - something which is undeniably more subjective and harder to pin down, but which will be recognised by many. Throughout the lifespan of the commercial Dreamcast indie scene there have always been standout titles, such as Wind & Water Puzzle Battles (2008) or Sturmwind (2013), which drew worthy praise at the time. Dreamcast enthusiasts would often wait in anticipation for years at a time for these gems; games that had clearly benefitted from the great care and attention to detail of their developers. Yet in 2020 and 2021 we were spoiled rotten with the release of three extraordinarily good titles in Intrepid Izzy, Xenocider and Xeno Crisis. These have all been extensively reviewed elsewhere too, so I won’t pour out my adoration here. Suffice it to say that they each set a high standard which others should be aiming for.

Three of the recent 'big' indie releases on Dreamcast

So, what exactly is driving this boom? Through the highly scientific method of poking around the internet, chatting with fellow devout Dreamcast fans, and mulling it over whilst munching on Hula Hoops, here's "what I reckon."

First and foremost, there is a longstanding healthy demand for commercial indie releases. Folks are willing to part with their cold hard cash for these games, and fundamentally that is what makes it viable for them to be released, especially in a physical format. Many indie games that see the light of day in a commercial form on the DC are undoubtedly labours of love and have had countless hours of voluntary or underpaid labour poured into them. Yet, however much these development costs can be kept in check, and no matter how much cheaper printing a CD is compared to producing another medium (such as a cartridge), it still requires funding, and so a reasonable level of demand is essential. 

Sales vary heavily from game to game, but it isn’t unusual to hear of indie Dreamcast releases selling over a thousand units, while those that sell well have the capability of reaching far beyond this over the course of their shelf life. For example, we know that Intrepid Izzy rapidly sold out its initial 700 copy print run within weeks of its release date, while the numbers shown on the PixelHeart website imply that a game such as Arcade Racing Legends has sold 2,500 copies of its PAL variation alone to-date. To put this into perspective, Radilgy, one of few final officially licensed Dreamcast games, was purported to have a print run of just 4,000 copies. When you add highly priced collectors’ editions into the mix - something that a section of the Dreamcast scene’s sizeable ‘adult-with-disposable-income’ demographic keenly buy into - then breaking even is a realistic, though not guaranteed, goal.

Arcade Racing Legends

On the other side of the coin, there are many factors that help facilitate the supply of games. Front and centre is the fact that Sega have thus far been very liberal (touch wood!) in their stance on the Dreamcast indie scene. Perhaps there is just no valid business rationale for them to dedicate resources to making things difficult (as opposed to genuine goodwill), but a laissez-faire attitude from multinational corporations under circumstances such as these is not always a given. Pair this with the Dreamcast’s capability to play games pressed to regular CDs without modification, and the relative ease of developing games for the console when compared to other platforms (often cited by developers in their DCJY interviews), and we have the foundations of the whole commercial indie scene.


Review: Ghoul Grind: Night of the Necromancer

The world of indie Dreamcast games has changed dramatically over the last couple of decades. A period of cheap and cheerful, mostly puzzle-orientated titles in the mid-00s was followed by a lengthy period of time where, alongside the last officially pressed GD-ROM releases authorised by Sega, we were treated to several shoot-'em-ups from a variety of indie developers. That period was so lengthy, in fact, that we still see some social media influencers parroting the tired opinion that "the DC only receives indie shooters," instantly earning them the wrath of the collective Junkyard crew. 

By the mid-2010s, the array of titles finding a physical release was a much more diverse selection: racing, platforming, adventures, RPGs, twin stick shooters, 3D shooters and many other genres found their way to the Dreamcast, and still do! 

We're currently staring at the quite ludicrous prospect of nearly 30 upcoming releases for this incredible machine that just refuses to die. As well as a broader selection, the quality has also seen a marked improvement as well – arguably reaching a recent peak with the releases of Xeno Crisis, Xenocider and Intrepid Izzy - three impeccable independent releases that have pushed the boundaries of quality; not only with their gameplay, but in the presentation department as well. Whilst not every game will reach the lofty heights of that trio, the days of any old game being released and instantly receiving praise just because it's 'on the Dreamcast' are long gone. 

Indeed, while I and the rest of the Junkyard crew are overjoyed that so many talented developers are bringing new games to the Dreamcast, we are now in an era - bizarrely - where we can be more objective about new titles than ever before.

Ghoul Grind: Night of the Necromancer may not be a candidate to sit alongside the Izzys or Xenos at the very top level of what's available, but that doesn't mean it's a bad game. Developer Woog Worx's main goal was to Kickstart a brand new NES physical release, with a Dreamcast port as a stretch goal. Ghoul Grind is a 2D, 8-bit, auto scrolling platformer with a distinctly Halloween theme. Due to it being a port of an NES game, on a technical level, it certainly doesn't push the Dreamcast in any way whatsoever. A successful Kickstarter campaign, which didn't seem to elicit much attention from the DC community (if you had listened to us, you would have backed it, so don't complain now!), was completed back in April 2021, and by the end of that year, the game was already in backer's hands - the sort of quick turnaround story that we can always get behind at the 'Yard!

The plot (played out through a short introduction sequence and in the game's lovely full colour manual - more about that later) sees Nox and Veronica - boyfriend and girlfriend - tasked with saving the townsfolk of Saint Crypton from their best friend Vladimir; who is raising the dead, bringing ghouls, ghosts and goblins out onto the streets, forests and crypts of the town. As someone who lives quite happily year round with the oranges and blacks of Halloween decorations decorating my house, the aesthetic on offer really hits a sweet spot. 

The game oozes a charmingly nostalgic All Hallows Eve atmosphere, with a suitably ghoulish 8-bit soundtrack (which may not be to the masterful level of some indie offerings, but considering the limitations of the original hardware, is rather good) and a colour palette full of oranges and browns to give it an autumnal look, as well as eerie blues, blood reds and the blackest blacks, really making the most of those hardware limits again. Woog Worx really do deserve credit for their character design and spooky atmosphere. Ghoul Grind sits in a perfect cross-section of 8-bit, Tim Burton and horror aesthetic.  

Gameplay is pretty straightforward: your characters auto run through the levels, with your control being limited to one button to jump, and one button to fire your weapon. You can change between the two characters on the fly throughout - and need to do so to get past certain sections - but there is little in the way of complexity here. The levels have all manner of suitably Halloween-themed enemies (with some great accompanying artwork in the manual), and are chock full of tricky jumps and platforming elements to challenge the player. 

Chances are, on your first attempt at each stage, you will die a fair few times before you know exactly when to time the action required. When you do die, it's straight back to the beginning where you attempt to traverse the level again, your knowledge of what you've already seen aiding your progress. There are 18 levels in total, as well as six boss encounters, which change up the obstacles you come across, but the gameplay remains broadly the same throughout. 

It'd be fair to say that this can lead to some challenging moments, but the instant restarts lower the sense of frustration. There is the occasional instance of a button press seemingly missed, although I didn't notice this too often. For the most part, this is as smooth as an NES port to the Dreamcast would be expected to be. Smooth can also be used to describe the packaging of the game. We have come to expect good quality packaging in recent years, what with the rise of JoshProd and Wave Game Studios, and Ghoul Grind lives up to that. 

A full colour manual contains loads of excellent illustrations, and the overall package is professional looking. Originally, you could only obtain the Dreamcast version of the game when backing a level with a physical NES cart as well, and whilst we're not the NES Junkyard, I have to say that the high quality of packaging crosses over to that release as well. For those who weren't interested in getting the NES cart too, standalone purchase option for the Dreamcast release are now available.

There isn't much more to say about the game, really. It's a decidedly simple premise, well executed, with a great gothic Halloween-loving atmospheric style (and an awesome name to boot - although it sounds more like the sort of blackened Death Metal band and album title that I'd happily lap up). Just remember that it's not something which was made with the Dreamcast in mind (although, kudos to Woog Worx for replacing the NES controllers featured in the background of the training levels, with Dreamcast controllers); or a game that will thrill those that want indie games to push the envelope of what we've come to expect on the console.


You can purchase your own copy of the game at the Woog Worx store here. You can download a demo or buy a PC version of the game at their itch.io page here. The Woog Worx main website can be found here.

Have you purchased Ghoul Grind: Night of the Necromancer for Dreamcast? If so, please do let us know your thoughts on it in the comments.

WAVE Game Studios – an interview with the indie publisher keeping the Dream alive


WAVE Game Studios is a name you will be familiar with if you recently bought a copy of Senile Team's excellent Dreamcast platformer-cum-beat 'em up Intrepid Izzy, and has recently announced that they will also be publishing Yeah Yeah Beebiss II in Europe. The UK-based outfit has been busy establishing itself as the hottest new label in Dreamcast indie game publishing, and we thought it would be cool to catch up with WAVE as they start to make a splash in the community. Splash? Wave? See what I did there? I almost went for 'dipping a toe in' but pulled myself back from that particular cringeworthy literary cliff edge with mere keystrokes to spare.
Anyway, if you're not familiar with WAVE Game Studios, their history, and what they have planned for the future; hopefully you will be by the end of this interview. Furthermore, if you're an independent developer working on a Dreamcast game and you have dreams of putting your game in a physical case and into the GD-ROM drives of Dreamcasts the world over, then read on...


DCJY: Hi, thanks for agreeing to talk to us about WAVE Game Studios. Before we begin, can you give us little bit of background about who makes up the team?

WAVE Game Studios: It’s our pleasure! WAVE is primarily made up of two brothers, Daniel and Nick. We’re based in Norwich, Norfolk, UK.

Norfolk, known for Alan Partridge, mustard...and now WAVE Game Studios! So, when was WAVE Game Studios established and what was the reasoning being the creation of the label?

WAVE has a fairly long history, but the most recent incarnation stems back to 2015 which is when we started distributing games to UK based retailers. We really started to ramp up our efforts this year, which is when we began publishing games in addition to just distributing them.

That’s interesting – this might sound like a daft question, but what is the main difference between distributing and publishing a game?

It’s a very good question. The role of a publisher is to, in short, take a game and turn it into a saleable product. Usually the publisher will help with artwork, marketing, production, and various other tasks such as providing review copies to magazines and influencers.

The distributor, on the other hand, deals primarily with ensuring the product is available for sale in as many appropriate places as possible. In the indie games world, these two roles are often (but not always) filled by the same company or person.

Review: Intrepid Izzy

When it comes to the Dreamcast indie scene, the name "Senile Team" is surely familiar. You might know them best for bringing us Beats of Rage, the moddable open source beat 'em up engine for Dreamcast (and other systems) that provided the basis for countless community-developed mods of series from Splatterhouse to Resident Evil. Or maybe you've had the pleasure of playing their first commercially released game; the excellent Rush Rush Rally Racing (or its update Rush Rush Rally Reloaded). Either way, it's definitely clear that Senile Team has pedigree when it comes to the Dreamcast, and now they're gearing up for the imminent August 20th release of their latest title, Intrepid Izzy.

The Kickstarter campaign for Intrepid Izzy went up back in 2017 with PC, Dreamcast and PS4 releases promised. The Steam version has been available since July 2020, but it's the Dreamcast version that many people, including us at the Junkyard (obviously) have been eagerly awaiting. Prior to Intrepid Izzy's Dreamcast release, I was supplied a review copy. Staying true to the Junkyard, however, this review will reflect only my honest opinions, with no influence from the developers or distributors.

The game starts with our protagonist Izzy, who is presumed to be a bit of an Indiana Jones explorer-type (she's known to be Intrepid, after all), opening a treasure chest in a temple only to release an evil blue genie whose main priority after finally being released is chaos on the world. From the initial cutscene, you are immediately given a taste of the game's carefree sense of humour, which often leans towards the drier side of things, and can occasionally get a bit bizarre. Just right for us at the Junkyard, then.

So how does Intrepid Izzy play? In the simplest terms, it's a 2D action platformer, with lovely, hand drawn artwork and fluid, cartoon-like animation (created with custom-made animation software) that gives me vibes of the ever-popular Shantae series. But to just call it an "action platformer" wouldn't be doing the game justice, because Intrepid Izzy is actually pretty deep, dude. While the initial stage is a rather left to right affair, you soon realise that the game has a very non-linear approach to its levels. That's right, Intrepid Izzy's core gameplay is what trendy gaming pundits might refer to as "metroidvania." I'm talking levels within levels, with a focus on light puzzle solving and backtracking. Get that key to open that door there, find a helmet to ride the minecart to a new area, find a new costume to grant you the power to get past an obstacle you passed earlier, and so on. 

Putting on Intrepid Izzy feels like you're embarking on an adventure, and one that is relatively easy to jump into whether you're a seasoned veteran of this style of explorative platformer, or a complete newbie to it, like I am (unless Kirby & the Amazing Mirror counts). Intrepid Izzy's platforming feels and controls great, and with the constant intrigue of treasure and new areas lurking around every corner, it gets pretty addictive. On countless occasions while exploring, I was conscious that I needed to save and come off so I could continue adding to this review, only to find myself attempting one more puzzle, or leading myself down one more passage.

As you traverse the game's many maze-like levels, you will encounter magic mirrors that grant you quick passage to the game's various other levels, as well as a fast track back to Awesometown, a pleasant town that functions as the game's central hub. You will be returning to Awesometown frequently to recover health by sleeping at Izzy's house and making repeat trips to the town's restaurant to replenish recovery and boosting items (which you purchase with coins that you've picked up throughout your quest). Less frequently, you will be dropping by the house of a bearded wizard, who can upgrade your health at the cost of enough heart fragments, which are hidden sparingly throughout the game's levels. Finally, perhaps taking a page out of Shenmue's book, the last building of significance in Awesometown is an arcade where you can play some basic but fun arcade games - such titles include "Plerg", "Ultra Bazoop" and "3D Wheel".

The other big gameplay element of Intrepid Izzy brings us back to Senile Team's Beats of Rage roots. Implemented alongside the platforming is a beat 'em up combat system that is used to solve environmental puzzles and dispatch enemies. You'll be using these fighting moves throughout your journey to rough up various foes, including huge screen-filling bosses. There are also plenty of occasions during exploration where you will enter a room, only to be locked in, with your only path to escape being to defeat a few waves of enemies. These bouts happen quite frequently, to the point where you soon realise that the combat in Intrepid Izzy is just as important as its platforming.