Provisional covers, not final. |
GladMort: New Kickstarter from JoshProd/PixelHeart!
Bomb Rush Cyberfunk Review or: How I Learned to Stop Worrying and Love the Funk
Jet Set Radio (or as it was known in North America, Jet Grind Radio) came skating onto the scene in the year 2000. Developed by Sega's in-house studio Smilebit, the flagship Dreamcast release saw players enrol in the rollerblading GGs gang to claim their turf back from their rivals, one graffiti tag at a time, all whilst evading the clutches of the law. A platformer at heart, JSR was fun gameplay-wise, but what kept me and many others coming back for more was undoubtedly its revolutionary cel-shaded graphics, along with its premise, style and music - all a loving tribute to hip-hop and street culture. The exceptional soundtrack, the majority of which was composed by Hideki Naganuma, combined elements of hip-hop, J-pop, funk, electronic dance, rock, acid jazz, and trip-hop, and has been lauded by fans the world over to the point where it's almost taken on a life of its own outside of the game.
North American magazine ad for Jet Grind Radio |
In the years following Jet Set Radio's release, Sega stopped making consoles and moved to being a third-party developer. Initially things were pretty good, with a wide range of their IPs receiving new titles or reboots, including Jet Set Radio, which received a beloved sequel/re-imagining on the original Xbox in the form of 2002's Jet Set Radio Future.
But, with series developers Smilebit closing their doors in 2004, and Sega's attention to any IP that wasn’t Sonic slowing to a drip feed over the following decade, the possibility of a new entry into the JSR series became less likely with each passing year. We did see a HD remaster during the seventh generation, which was cool, but the fully fledged third instalment many players have been waiting for just never happened.
The album cover for 2 Mello's "Memories of Tokyo-To" |
During the series' absence, a cult community of fans slowly began to form around Jet Set Radio, with its art style and music finally being appreciated for how excellent it really is. A fan developed a whole website to stream JSR tunes 24/7, while artists like 2 Mello made entire albums in the style of the JSR sound. Many new indie titles like Umarangi Generation and Hover aimed to emulate that funky cel-shaded feeling we were sorely missing. Seeing this community of fans and creators blossoming around JSR really got me thinking... with the series' strongest suit undoubtedly being its aesthetic style and music, and with aspects such as the story and character's personalities taking a backseat (with perhaps the exception of DJ Professor K), it made me wonder: could someone else make Jet Set Radio? We'd witnessed it in the indie space for years, with titles like Bloodstained: Ritual of the Night, Shovel Knight and Cities: Skylines filling the void left behind by the neglect of bigger developers. For me, Jet Set Radio’s best asset is not that it was made by Sega. Sure, the genius minds of Dreamcast-era Sega gave it its best assets, but the fact that Jet Set Radio's winning formula has been abandoned for so long, that it hasn't had the chance to be developed further, to become bigger and better with the power of modern systems, to be re-introduced to a new generation of gamers, is criminal, frankly. As long as the right people were involved, Jet Set Radio could come back in style, even if it meant sacrificing the name.
Lethal League Blaze |
The answer to my prayers came in 2020, when Dutch indie developer Team Reptile teased Bomb Rush Cyberfunk. Having previously worked on Lethal League, an excellent series of fighting games that feature cel-shading and character designs reminiscent of Jet Set Radio, and with the second game, Lethal League Blaze, even featuring a song from Hideki Naganuma, it was no surprise that Team Reptile were going to attempt a spiritual successor to Jet Set Radio for their next release. From their short teaser alone, I immediately knew they were the right people for the job. Bomb Rush Cyberfunk looked so much like a new Jet Set Radio game that I would've forgiven you for thinking it was made by Sega themselves. The teaser even featured a Naganuma track. It was finally happening!
Despite this, I still saw a fair amount of scepticism online. Some loyalists said they'd just wait for Sega's Jet Set Radio. Some even went as far as to accuse Team Reptile of "plagiarism". C'mon guys, it has been more than 20 years since Sega released an original entry into the Jet Set Radio series. To bastardise that famous lyric from John Lennon:
"All we are saying is, give Bomb Rush Cyberfunk a chance"
On the day it released, I bought Bomb Rush Cyberfunk for the Nintendo Switch, as that was the only console it was available for initially, and I don’t have a gaming PC, so that option was out. From the outset, the game's cel-shaded look, music and sound effects all felt familiar to me. It was great to jump back into that grinding and tagging gameplay I loved so much, to be transported right back to those special moments of playing the original JSR and Future for the first time. But Bomb Rush Cyberfunk is quick to remind you that while it remains incredibly faithful to its source material, it isn't completely derivative of it. Instead, Team Reptile are here to build and improve, which is exactly what I wanted to see from a spiritual successor to Jet Set Radio. I've always sung the praises of the gameplay refinements that Jet Set Radio Future introduced to the series, and Bomb Rush Cyberfunk is no different, picking up where that game left off but now with the benefit of twenty years of hindsight in its arsenal. Throughout this review, I will be calling back to JSR and Future many times to explain how BRC successfully builds on - or even improves - the formula, but please don't understand this as me disparaging the JSR series at all. Both Jet Set Radio and Jet Set Radio Future will forever remain two of my most favourite games of all time.
Bomb Rush Cyberfunk's plot, while still containing the appropriate dose of hip-hop and street culture references you'd expect, is crazy, and immediately more involved than either of the JSR games. Rather than functioning as stylish avatars for your rollerblading escapades, the main set of characters of the Bomb Rush crew have unique personalities and converse with each other in cutscenes, much of which is humorous and often eccentric. The main character, Red, has a purpose - to get his head, which was chopped clean off his shoulders in the game's prologue, back, while also looking to investigate the past of his replacement head (I said the plot was crazy, didn't I?).
The rival crews, still serving as your opponents throughout the game, also have more purpose in the plot, as Red and his crew not only look to defeat them to become "All City" (to claim all turf in the city), but also to gain information to aid in their hunt for Red's origins. While I won't spoil the plot here, all I'll say is the whole idea of Red being a character patched together from the body and head of two different characters, and the duality that brings, is one of the more refreshing plot ideas I've had the pleasure of experiencing in a video game as of late. There are plenty of surprising twists and turns you may not have been expecting from a game that many will be turning to primarily for its aesthetic qualities, and it is certainly refreshing to see.
Bomb Rush Cyberfunk's cast of characters are all varied in design and dripping with style, with their clothing combining the aesthetics and fashion of not only hip-hop and its b-boy subculture, but also the skate culture of the early 2000s, with some sci-fi flair thrown in for good measure. Characters like Red, with his crimson "cyberhead", and the angel-winged crash dummy Solace stand out as the coolest of the bunch, while story characters like the "oldheads" are more amusing, looking like caricatures of golden age hip-hoppers with their maroon tracksuits and over-sized Kangol-esque hats. One of them even has a cyberhead that looks suspiciously like the mask of the late MF DOOM. DJ Cyber's cold cybernetic mask and long stylised lab coat really set him apart as the menacing antagonist he is and the Dot EXE crew just look fresh as hell with their pool ball cyberheads and two stripe tracksuits. Team Reptile really knocked it out of the park when it came to matching the imaginative character design seen in the games BRC takes influence from, so much so that you will undoubtedly be searching around the game's city to track down more peeps to add to your posse.
Depending on how you look at it, one potential flaw of BRC's playable characters could be that none of them have any stats, meaning that your decision on who to play as solely comes down to how cool you think they look. Jet Set Radio did assign stats to each character, which meant there was a bit of strategy involved when making your choice of whom to tackle a particular level with, but I suppose ultimately it's probably better to be able to play as your favourite character without their weaker stats holding back your enjoyment, and it does feel great to be able to constantly switch between BRC's aesthetically pleasing cast of characters just 'cause.
Credit: JREEL on YouTube |
So we've got a great storyline and some cool characters, but how's the gameplay?
Review: Andro Dunos II
Ok, let's get this clear from the off. Any developer that has the gumption to produce a shoot-em-up for the Dreamcast has their work cut out. The console was blessed with such a phenomenal array of shmups, from the seminal Ikaruga (2002) to the idiosyncratic Radirgy (2006), that creating something that will stand out is a gargantuan undertaking.
Around a dozen indie contenders have attempted this feat over the preceding two decades, and, although each has its charms, in my eyes there have only been a couple that truly cut the mustard. Fortunately, with Andro Dunos II, it seems we may have another indie shmup that can go toe-to-toe with the big-hitting NAOMI-based official releases (or, at the very least, put up a commendable fight).
Developed by Picorinne Soft and published by JoshProd/PixelHeart, this side-scrolling shmup is a contemporary sequel to Visco's 1992 Neo-Geo arcade game - a title which also appeared on the Dreamcast last year (our review of which is available here). In terms of fundamental game design, there is nothing revolutionary present. The task assigned to players is the same as it has been for decades: direct your ship through a succession of stages, shoot enemies, dodge incoming fire and rack up as high a score as possible. And of course, each of the seven stages closes out with a mammoth boss fight. A simple formula then, but one which Andro Dunos II executes very well in a number of respects.
Firstly, the fundamental gameplay mechanics are solid. When using the regular Dreamcast controller, the controls are intuitive, responsive, and your ship glides around the screen at an ideal pace: not so fast to make things uncontrollably twitchy, and not so slow that dodging incoming fire seems unreasonably hard. Just as important is the fact that enemy projectiles are easily distinguishable, and your hit box, while a little chunky, is perfectly serviceable. These may seem like pretty mundane basics but are prerequisites for a fun shmup experience. In essence, you need to be able to feel that defeat is down to user-error rather than poor game design, which is thankfully the case here.
Secondly, while the core activity of guiding a ship through levels filled with enemies is par for the course, Andro Dunos II does feature several elements that give it some depth and replayability. For starters, there are four weapon types with distinct characteristics at your disposal. Flitting between these quickly to suit your surroundings, combined with choosing how to allocate upgrades between levels, brings a problem-solving element into play and means that you can attempt different strategies over numerous runs. The varied designs of the levels, and in particular the presence of impermeable terrain that periodically encroaches onto your screen, as well as enemies that move and attack in a wide range of ways, only amplifies this. Dexterity and accuracy of movement within the immediate field of fire remain vital of course, but your choice of weapon, tactical deployment of the 'super shot' and overall ship placement are also important here. When you manage to master these aspects, Andro Dunos II is highly rewarding. The wide variability in difficulty settings should offer something suitable for most players too, and the unlockable boss rush mode offers a decent reward for those who make it through the seven regular stages.
Thirdly (is that even a word!?!), the game's aesthetics and audio pull together nicely to forge a vibrant up-beat atmosphere. The graphics are certainly not pushing the limits of the Dreamcast's hardware, but the Neo-Geo-style sprites and layered backgrounds are superbly drawn and take you on a journey through a broad range of scenarios without the game losing its cohesiveness. The synth-heavy electro-rock soundtrack complements the gameplay well too without becoming repetitive.
Of course, all of these positives would count for naught if the game didn't run well. Slowdown and frame-rate drops, amongst many other types of bugs, aren't unknown drawbacks for shmups on the Dreamcast, but thankfully they are nowhere to be seen here. In my experience, Andro Dunos II was buttery smooth and looked gorgeous over a VGA output. Videophiles may well have some gripes, but I imagine average players (like myself) will be satisfied with the presentation. The extensive two minute loading time before the game's main menu seemed foreboding at first, but, if intentional, is actually a clever move as it means that loading is brief between levels. The trade off is well worth it, and in any case, gives you just enough time to brew a cuppa (or scroll the DCJY Discord channels).
Although the Dreamcast version has arrived a year later than its initial outings on more contemporary platforms like the Nintendo Switch and the PlayStation 4, Andro Dunos II immediately piqued my interest more than some other recent Dreamcast releases as it is actually something new.
Sadly the same can't be said of the game's clichéd premise: saving the earth from an alien race. I wasn't exactly expecting Franz Kafka, but surely it wouldn't hurt to open our horizons up a little wider here? Just as there are heaps of gifted programmers in the Dreamcast scene, I'd bet there are also plenty of creative writers who could contribute something a little more stimulating.
The Dreamcast commercial indie scene enters a 'Golden Age'
When Sega pulled the plug on the Dreamcast in 2001, few would have predicted that our beloved little white box would still be pushing out new titles 20 years later. Flicking through the pages of the multitude of gaming magazines that were vying for market share at the time, readers were presented with a journalistic consensus that the Dreamcast was well and truly dead (note: for younger members of the audience, magazines were bounded sheets of paper with writing and artwork printed on them).
Of course, by industry standards, this assessment was bang on the money. The gaming reporters may well have known that a trickle of official releases would continue to see the light of day for a few more years, or had an inkling that a sizeable portion of the Dreamcast’s enthusiastic fanbase would continue to support homebrew projects, some of which could conceivably be released in physical form on a small scale. In the terms of reference that mattered to the industry and the wider public though (revenue, profit, audience size), the writing had already been on the wall for some time.
Where it all began... |
Although by these standards the Dreamcast's new releases are still undoubtedly small fry, the commercial Dreamcast indie scene has been through an astounding boom in recent years; one which is becoming hard to ignore. The tongue-in-cheek opinion shared amongst Dreamcast fanatics for many years that "the Dreamcast is a current gen console" is getting less and less absurd by the day. What began with the release of Cryptic Allusion’s Feet of Fury in 2003 (more info here) has snowballed to a point where 14 indie games were released in 2021. Furthermore, there are as many as 30 Dreamcast games forecast for release on a commercial basis in 2022 and beyond - a figure that is edging close to the 50 or so officially licenced releases seen in Europe in 2001, and which far outstrips the 9 released in 2002.
Of course, the rocketing quantity of releases doesn’t single-handedly uphold the claim that we’re in a “golden age” for the Dreamcast indie scene, but there are many other signs that accompany this trend. For one, the variety of games available is wider than ever, putting to rest the persistent trope that all the Dreamcast indie scene has to offer is shooters (which to be fair, had some validity in the mid to late noughties). Everything from platformers, fighters, puzzlers, RPGs, racers, and visual novels are finding a home on a professionally printed Dreamcast-compatible MIL-CD these days. Furthermore, there has been a diversification of contributors who are throwing their hats into the ring. Longstanding Dreamcast developers with a mountain of credibility stored up, such as Senile Team, are thankfully still here, but they have also been joined by a new wave of developers and publishers that are rapidly earning their stripes, including the likes of PixelHeart/JoshProd, LowTek Games, RetroSumus, The Bit Station, and WAVE Game Studios to name but a few.
What really adds weight to the hypothesis that the Dreamcast indie scene is entering a golden age though is the quality of many of the games - something which is undeniably more subjective and harder to pin down, but which will be recognised by many. Throughout the lifespan of the commercial Dreamcast indie scene there have always been standout titles, such as Wind & Water Puzzle Battles (2008) or Sturmwind (2013), which drew worthy praise at the time. Dreamcast enthusiasts would often wait in anticipation for years at a time for these gems; games that had clearly benefitted from the great care and attention to detail of their developers. Yet in 2020 and 2021 we were spoiled rotten with the release of three extraordinarily good titles in Intrepid Izzy, Xenocider and Xeno Crisis. These have all been extensively reviewed elsewhere too, so I won’t pour out my adoration here. Suffice it to say that they each set a high standard which others should be aiming for.
Three of the recent 'big' indie releases on Dreamcast |
So, what exactly is driving this boom? Through the highly scientific method of poking around the internet, chatting with fellow devout Dreamcast fans, and mulling it over whilst munching on Hula Hoops, here's "what I reckon."
First and foremost, there is a longstanding healthy demand for commercial indie releases. Folks are willing to part with their cold hard cash for these games, and fundamentally that is what makes it viable for them to be released, especially in a physical format. Many indie games that see the light of day in a commercial form on the DC are undoubtedly labours of love and have had countless hours of voluntary or underpaid labour poured into them. Yet, however much these development costs can be kept in check, and no matter how much cheaper printing a CD is compared to producing another medium (such as a cartridge), it still requires funding, and so a reasonable level of demand is essential.
Sales vary heavily from game to game, but it isn’t unusual to hear of indie Dreamcast releases selling over a thousand units, while those that sell well have the capability of reaching far beyond this over the course of their shelf life. For example, we know that Intrepid Izzy rapidly sold out its initial 700 copy print run within weeks of its release date, while the numbers shown on the PixelHeart website imply that a game such as Arcade Racing Legends has sold 2,500 copies of its PAL variation alone to-date. To put this into perspective, Radilgy, one of few final officially licensed Dreamcast games, was purported to have a print run of just 4,000 copies. When you add highly priced collectors’ editions into the mix - something that a section of the Dreamcast scene’s sizeable ‘adult-with-disposable-income’ demographic keenly buy into - then breaking even is a realistic, though not guaranteed, goal.
Arcade Racing Legends |
On the other side of the coin, there are many factors that help facilitate the supply of games. Front and centre is the fact that Sega have thus far been very liberal (touch wood!) in their stance on the Dreamcast indie scene. Perhaps there is just no valid business rationale for them to dedicate resources to making things difficult (as opposed to genuine goodwill), but a laissez-faire attitude from multinational corporations under circumstances such as these is not always a given. Pair this with the Dreamcast’s capability to play games pressed to regular CDs without modification, and the relative ease of developing games for the console when compared to other platforms (often cited by developers in their DCJY interviews), and we have the foundations of the whole commercial indie scene.
Review: Intrepid Izzy
When it comes to the Dreamcast indie scene, the name "Senile Team" is surely familiar. You might know them best for bringing us Beats of Rage, the moddable open source beat 'em up engine for Dreamcast (and other systems) that provided the basis for countless community-developed mods of series from Splatterhouse to Resident Evil. Or maybe you've had the pleasure of playing their first commercially released game; the excellent Rush Rush Rally Racing (or its update Rush Rush Rally Reloaded). Either way, it's definitely clear that Senile Team has pedigree when it comes to the Dreamcast, and now they're gearing up for the imminent August 20th release of their latest title, Intrepid Izzy.
The Kickstarter campaign for Intrepid Izzy went up back in 2017 with PC, Dreamcast and PS4 releases promised. The Steam version has been available since July 2020, but it's the Dreamcast version that many people, including us at the Junkyard (obviously) have been eagerly awaiting. Prior to Intrepid Izzy's Dreamcast release, I was supplied a review copy. Staying true to the Junkyard, however, this review will reflect only my honest opinions, with no influence from the developers or distributors.
The game starts with our protagonist Izzy, who is presumed to be a bit of an Indiana Jones explorer-type (she's known to be Intrepid, after all), opening a treasure chest in a temple only to release an evil blue genie whose main priority after finally being released is chaos on the world. From the initial cutscene, you are immediately given a taste of the game's carefree sense of humour, which often leans towards the drier side of things, and can occasionally get a bit bizarre. Just right for us at the Junkyard, then.
So how does Intrepid Izzy play? In the simplest terms, it's a 2D action platformer, with lovely, hand drawn artwork and fluid, cartoon-like animation (created with custom-made animation software) that gives me vibes of the ever-popular Shantae series. But to just call it an "action platformer" wouldn't be doing the game justice, because Intrepid Izzy is actually pretty deep, dude. While the initial stage is a rather left to right affair, you soon realise that the game has a very non-linear approach to its levels. That's right, Intrepid Izzy's core gameplay is what trendy gaming pundits might refer to as "metroidvania." I'm talking levels within levels, with a focus on light puzzle solving and backtracking. Get that key to open that door there, find a helmet to ride the minecart to a new area, find a new costume to grant you the power to get past an obstacle you passed earlier, and so on.
Putting on Intrepid Izzy feels like you're embarking on an adventure, and one that is relatively easy to jump into whether you're a seasoned veteran of this style of explorative platformer, or a complete newbie to it, like I am (unless Kirby & the Amazing Mirror counts). Intrepid Izzy's platforming feels and controls great, and with the constant intrigue of treasure and new areas lurking around every corner, it gets pretty addictive. On countless occasions while exploring, I was conscious that I needed to save and come off so I could continue adding to this review, only to find myself attempting one more puzzle, or leading myself down one more passage.
As you traverse the game's many maze-like levels, you will encounter magic mirrors that grant you quick passage to the game's various other levels, as well as a fast track back to Awesometown, a pleasant town that functions as the game's central hub. You will be returning to Awesometown frequently to recover health by sleeping at Izzy's house and making repeat trips to the town's restaurant to replenish recovery and boosting items (which you purchase with coins that you've picked up throughout your quest). Less frequently, you will be dropping by the house of a bearded wizard, who can upgrade your health at the cost of enough heart fragments, which are hidden sparingly throughout the game's levels. Finally, perhaps taking a page out of Shenmue's book, the last building of significance in Awesometown is an arcade where you can play some basic but fun arcade games - such titles include "Plerg", "Ultra Bazoop" and "3D Wheel".
The other big gameplay element of Intrepid Izzy brings us back to Senile Team's Beats of Rage roots. Implemented alongside the platforming is a beat 'em up combat system that is used to solve environmental puzzles and dispatch enemies. You'll be using these fighting moves throughout your journey to rough up various foes, including huge screen-filling bosses. There are also plenty of occasions during exploration where you will enter a room, only to be locked in, with your only path to escape being to defeat a few waves of enemies. These bouts happen quite frequently, to the point where you soon realise that the combat in Intrepid Izzy is just as important as its platforming.
Indie Dreamcast platformer Intrepid Izzy is up for pre-order!
Dreamcast indie darlings Senile Team, creators of the excellent Rush Rush Rally Racing, have just put up pre-orders for their upcoming Dreamcast release, Intrepid Izzy, a charming platformer complete with its own beat-em-up twist on the genre. Intrepid Izzy hit Kickstarter back in 2017 with a campaign that covered PC, Dreamcast and PS4 releases. The game released on Steam in July of last year, and now the Dreamcast version that we've all been eagerly awaiting for is imminent too! Senile Team are trying to aim for a release sometime in August, but it all depends on manufacturers and deliveries. Be sure to follow them on Twitter and watch out for a more concrete release date.
For those who didn't back the Kickstarter, but are looking to pick this game up, pre-orders are now live on two websites: UK-based WAVE game studios and Germany-based DragonBox for PAL and Japanese style box arts respectively. If you are living in the UK like myself, I'd recommend purchasing from WAVE, as DragonBox currently has a minimum purchase of €157 required to checkout for those living in the UK. Maybe something to do with the VAT stuff that came into effect in January? No idea. Obviously not throwing any shade at DragonBox, I've purchased some excellent stuff from there before, just want to make people aware before they get confused as to why they can't check out! WAVE also ships to the USA. (Update: WAVE are now offering a Japanese-style copy)Upcoming Dreamcast Indie releases - 2021 and beyond!
We're quite lucky to be Dreamcast fans at the moment, living through what feels like a renaissance for the machine - with Sega giving a little bit of merchandise love to the machine, a proliferation of hardware mods that allow access to older titles, full HDMI support, new controllers, a growing collection of Dreamcast related literature, ports of Atomiswave arcade titles, and an ever impressive indie library. There's a remarkable amount of activity around a machine which is approaching 23 years of age, and we here at the Junkyard are embracing it with a smile on our face, a VMU in our pocket, and a dwindling bank account as we welcome the second coming of our digital dream box. And long may it continue!
The year 2021 is set to be the biggest - by some way - year for indie releases in the systems history though. There is a quite staggering number of titles on their way - more than 30 by some counts - and a fairly large number of those will be in our hands sooner, rather than later. Whilst most of you will have already backed the titles you've seen, there's a good chance some may have slipped you by, or maybe you've just not been aware of the tremendous indie barrage about to assault the console. Fear not, for we're hopefully going to set that straight today.
Before we list all the indie titles on their way, we want to make a couple of observations. This list only includes titles that are set for a physical release. That will preclude some of the homebrew software being developed, and of course won't touch on any ports being developed. We're also not going to include anything which is *only* based on rumours. As you can imagine, we have heard several of these! Furthermore, expect some *big* announcements of titles in the coming months - we can't say anything about them at the moment (we're such teases), but this article will be updated as new titles are announced!
On with the list!
Alice Sisters
The first of numerous JoshProd titles in this list, Alice Sisters is a follow up to previous indie platformer Alice's Mom's Rescue, a quite charming little game from prolific previous indie developer Orion. Like the original, this appears to be a 2D platformer, but with the interesting addition of co-op mechanics. Each player guides one of the sisters (or a single player can switch between them) through a promised 28 stages, each using different abilities to combat the games puzzles. 4 game modes are also promised, and screenshots show a charming, colourful world, very much in the style of Orion's previous titles.
Andro Dunos
Published by JoshProd - set for release September 2021
Whilst Pixelheart / JoshProd made a big deal about the release of a brand new sequel, going as far as presenting a special event on Youtube for it's launch, the pending release of the original Andro Dunos went a little under the radar. It's perhaps not surprising though that this early 90's horizontal shooter is making it's way to the Dreamcast. It'd been rumoured for months, the acquisition of Visco's library by the publishers made it an obvious choice, and for many DC players, they've been enjoying the game via emulation for some time anyway. A decent, colourful example of the genre, it's become a minor cult favourite with some fans, and certainly won't be out of place in the plentiful supply of indie shooters the system is home too. There are possibly a few issues regarding how the emulation (presuming it will be played via emulation, like other Neo Geo ports from JoshProd) will work, and it's own sequel is now taking much of the attention away from this release, but it's a welcome addition to the library.
You can pre-order the PAL version here, the US version here and the Japanese version here.
Demonic indie The Textorcist hits Dreamcast, special edition limited to 666 copies
The Textorcist was released on Steam back in 2019 and received some pretty high praise from the gaming press and players alike. A mash up of traditional top down RPG, bullet hell shmup and - naturally - typing tutor, Headup's offering is nothing if not original. Or bonkers. You decide.
Either way, you'll no doubt be aware that The Textorcist is now heading to the Dreamcast, courtesy of Gamefairy. The game will come in a choice of two different editions, with a standard editon and a special edition (limited to 666 copies - nice) both being available to preorder now.
The Textorcist casts the player as Ray Bibbia, a private exorcist who must traverse a tradional looking top down world, battling enemies using his bible and reciting prayers and spells while dodging bullets. The controls are the thing that intigues here though, as the game is primarily meant to be played with a keyboard. As the battles rage, the player types the spells as they appear on the screen.
We're always up for games that try to do something a bit different here at the Junkyard, and The Textorcist looks like it won't dissappoint. We're reliably informed that you can use the standard Dreamcast controller if you want to, but the keyboard should be used for maximum demonic thrills. Plus, if you screw up, throwing a keyboard across the room in a rage is way more satisfying than just lobbing a controller. Cough.
We spoke to the developers at Headup to ask what the inspiration was behind The Textorcist's bizarre combination of play styles, and why bring it to the Dreamcast?
"We wanted to recreate that exact feel from the horror movie "The Exorcist" where the task was simply to recite a spell but this was made nearly impossible because of all the barf and all sorts of things thrown at the priest.
"The point was to clash two completely different activities, like typing and dodging and see where that would bring us. I'm amazed by how much players struggle and swear but learn some real Latin prayers and to blind type and get much better at the same time without noticing. This constant duality is present at some very different layers and creates a unique game feel that made us fall in love with the idea."
- Diego, Developer
"The minute we laid our hands on the very first PC version of The Textorcist, our brains just started swirling, shouting "Dreamcast! Typing of the Dead! Keyboard! Bullets!" We simply had to recreate this game for the best console ever released. It was unavoidable."
- Dieter, Headup CEO
Unavoidable indeed, Dieter. And a nice nod to The Typing of the Dead there. The standard edition of The Textorcist comes - as you'd expect - with just the game and manual, however the 666 copy limited edition boasts a music CD and a fancy embossed case. The game is expected to ship in April 2021, and you can snap up a copy for $29.99 (standard) or $39.99 (limited) over at Gamefairy now.
No doubt we'll have a review up here once the game ships, and thanks to Julian at Gamefairy for putting us in touch with Diego and Dieter.
Summoning Signals now has a website and a demo for Dreamcast
Summoning Signals represents one of the more mysterious upcoming releases for the Dreamcast. A point and click adventure in which the player must locate the scattered parts of a crippled spacecraft, the photogrammetry graphical style is unlike anything we've previously seen on the Dreamcast.
Coming from 12db.soft and Retro Surge Games, Summoning Signals is aiming for an Autumn 2020 release (that's Fall for our American readers), and the game now has a dedicated website and a demo available. The demo is interesting as it's not actually a demo of the main game, it's more a vertical space shooter where you have to kill a two-headed dragon with a penchant for Soul Calibur quotes...but this just fits the whole weirdness vibe lead developer Magnes is aiming for:
"I see Summoning Signals like a strange trip to a vaguely familiar planet. Some people say it reminds them of the Myst series or Lack of Love. We're inspired by Kentucky Route Zero for its visuals and storytelling, Hyper Light Drifter and Elemental Gimmick Gear for their worldbuilding and Seaman for its wierdness to name a few. Summoning Signals is a game for those who like to discover strange worlds.
"I've always wanted to contribute to SEGA's last console library. This console (and its community) is what got me into programming and hacking 15 years ago, so it feels right to give back. Also, working with retro console has this hacker-tech-charm vibe to it.
- Magnes, via summoningsignals.com
We have covered Summoning Signals in the recent past, and waxed lyrical about the interesting photogrammetry technique used (think the Google Maps 3D modelling style). I for one am pretty intrigued to know more about this indie offering, and after enjoying the outright oddness of the Reaperi Cycle demo 12db.soft released earlier in 2020, I think I'm qualified to consider myself a fan of this developer.
Keep an eye on the Summoning Signals website for updates (you can sign up to be alerted when new demos are available) and also grab that annoyingly difficult shooter demo. We'll be keeping a close eye on this one...and you should too.
Excited for yet another new Dreamcast release in 2020? Let us know on Twitter or in the comments below. Oh, and follow 12db.soft on Twitter here.
Simulant - a new game engine for Dreamcast
Luke explains in his own words:
Simulant is a general-purpose game engine for multiple platforms: Windows, Linux, OSX, and of course Dreamcast. General-purpose means it can be used to build any style of game. It's similar in concept to Unity but it doesn't come with a pretty user interface - games have to be developed purely in code.
I've been developing Simulant for almost 9 years, I started it well before I got involved in the Dreamcast scene and for the majority of that time I've been the only developer.
It's really very powerful, and is currently being used to build (at least) two Dreamcast games: Swirling Blades (my chopper game) and another 3D game called Dark Space Pioneer.
It's also spawned a whole community and a number of related projects, including a full OpenGL library called GLdc, which is being used by Summoning Signals, and the nuQuake Quake port to accelerate performance. An OpenAL audio library has also been built, as well as a software profiler for the Dreamcast called dcprof.
Even after all this time, Simulant is still in Alpha state. I'm always on the look out for skilled developers who want to help! I particularly could use help with the Android and OSX versions!
If you want to see what Simulant can do, check out Swirling Blades on itch - it's a fairly basic 3D helicopter shooter, but as a proof of concept that can be burnt to a disc and played on a Dreamcast hardware, it is impressive.
So now you know the basics, why not see if Simulant is something you'd like to try out for yourself? The Simulant project is open source, and released under the LGPL license, and the code can be found at the repository on GitLab here: https://gitlab.com/simulant/simulant
There's also a dedicated website with more information, screenshots and documentation at: https://simulant.dev.
So there you have it. A very brief introduction to Simulant. It's worth nothing that to use Simulant you'll need some level of C or C++ development skill , or at least some good experience in another language (and enthusiasm to learn), but hopefully this will bring a whole new wave of indie developers to the Dreamcast scene.
Be sure to follow Luke on Twitter for updates on Simulant. What do you think? Will you be taking your first steps into Dreamcast development with Simulant? Let us know in the comments or on Twitter.
Retro Surge Games announces new Dreamcast title Summoning Signals
Summoning Signals is an experimental narrative game. You play as Bertholet, an antique collector with a passion for old technology. As you are making a delivery across the galaxy, your ship starts behaving erratically and crash on an unknown planet. Get to know the planet's strange inhabitant, repair your ship and escape before the fabled Minotaur finds you.
Use your radio to call for help and communicate with the galaxy's inhabitant. Make sure to charge your battery and keep the signal alive! Bertholet will need to find spare parts on this new planet to repair his ship. Break apart old machines and dig for circuits in computers! Make use of your tools to get your ship running again.
The world’s inhabitants like to speak in riddle. Are you wise enough to understand them? Use your wits to find the clues and progress through the game. The game's unique world is made using photogrammetry, a technique used to create 3D models from pictures. The result are unlike anything you have seen on the Dreamcast.
Imagine if this tech had been available to Shockwave Assault's devs back in the day; those flat pixellated landscapes would've looked so much less like you were flying over a bowl of vegetable soup while blasting alien invaders. Pretty sure my 3DO would have melted into a pile of black plastic though. I'm waffling, let's get back on track. Photogrammetry is certainly an interesting technique and will definitely give Summoning Signals a unique look on Dreamcast.
We'll bring more info on Summoning Signals as we get it, and you can follow 12db.soft, Retro Surge Games and The Bit Station on Twitter for updates as they happen.
What do you think? Are you intrigued by Summoning Signals? And did you play the super cool (and brain meltingly difficult!) Reaperi Cycle demo? Let us know your thoughts in the comments or on Twitter.