Revisiting a smattering of early Dreamcast games on the console’s 19th anniversary, I’m reminded of some of the common themes and aesthetics imbuing many futuristic Dreamcast and PC titles of the late '90s and early aughts. Notably, these games depicted vaguely dystopian futures that were all at once gritty, vibrant, desolate, and shrouded in a thick fog, both literally – to mask pop-in due to hardware constraints – and figuratively in their perturbed sense of uncertainty.
For me, this aesthetic characterized a fair share of the Dreamcast’s library, propagating a trend of worn, sterile, and heavily-industrialized future settings. I feel compelled to interpret this style – let’s call it “Dreamcast 20XX” for now – as a reflection of our most prevalent cultural anxieties at that time, both real and embellished. In other words, it is easy to imagine late ‘90s game developers – particularly western ones – depicting a future where the Y2K bug could’ve actually fucked up some shit. These themes manifest themselves in numerous games across a variety of genres.
Towards the surprisingly bleak end of this spectrum is one of my favorite Dreamcast racing games, Criterion’s TrickStyle. Its chief conceit surrounds an international community struggling to rebuild itself following worldwide, war-torn devastation. In TrickStyle’s post-war future, society pulls itself up by its hoverboard binding straps and instills racing as a shared cultural tentpole, both as a means to stave off boredom and to strengthen global stability by way of awesome fucking hoverboards. It’s Marty McFly’s new world order.