Dreamcast Covers that Go Hard (and Some More that Can Go Straight in the Bin)

Like the greatest album covers in the world, some games make a great impression even when sitting on a shelf. Whilst previews in the media, video trailers and word of mouth are vitally important, it would be wise not to underestimate the immediate impact a game’s cover can have on those with more impressionable minds. Generic artwork or uninspiring stylistic choices may be fine if the game has loads of pre-release hype or a big name license, but stick some glorious artwork from a talented artist on the cover and you're near enough guaranteed some extra interest.

The Dreamcast's small but beautiful library of games is jam-packed with turn-of-the-millennium style and innovation, and this is present in some of the artwork which adorned gaming shelves worldwide. Some are of course, iconic - Ulala's presence on the Space Channel 5 artwork, the striking simplicity of the PAL/Japanese covers of Crazy Taxi, Shenmue's epicness - but there are some that deserve more attention. These are works of art - they deserve to be blown up to a larger size, framed and hung in the finest of art galleries. So it's time to put my best gallery curator hat on and showcase why I think these fifteen choice cuts of Dreamcast cover art glory are examples worthy of so much praise, followed by five duds that deserve the complete opposite...

All covers used in this article come from Sega Retro, unless stated otherwise. Let's get into them...

The Dreamcast covers that go hard...

Spawn: In The Demon's Hand

I could have picked any of the cover variations of this release, as they are all absolutely epic in nature, but I've chosen the standard Japanese cover. Looking more like some great, unknown fantasy war metal album cover, this puts Todd McFarlane's comic masterpiece centre stage with a swirling mass of metal, cloak and spikes. Spawn is the ultimate badass antihero, an imposing demonic hellspawn, and a character that is designed to be visually interesting in whatever angle, pose or situation he is depicted in. As a game, In the Demon's Hand falls a little short, but the cover art surely must have led to a few extra sales.

The artwork for the standard Japanese version, as well as that used on other examples of the game, seem to have been taken from Spawn issue 95. The limited first print edition of the game released in Japan came with a cardboard slipcase with artwork similar to the US and PAL releases - all of which are based on the cover of 95.

The Japanese limited first print edition slipcase artwork (Credit: PlayAsia)

The US cover has the same artwork as both the Japanese slipcase and the PAL release. It's a bit cleaner than the standard Japanese cover, and not as impactful.

The cover art for Spawn issue 95, the artwork of which was the basis for the game covers above.

Mars Matrix (Japanese cover)

Takumi's underrated shooter delivers a depth to the genre that's unrivaled on the console, and has the best cover of any shooter on the system (particularly the Japanese version's cover). I will take no criticism of that viewpoint! This cover is a dynamic, colourful burst of energy which breaks away from the usual clichés seen on the covers of other shoot 'em ups, whilst never going so far out there that you'd be confused as to what genre of game it actually is. Taken as a whole, it's a piece of art; from the fonts used for the title (to continue with the metal references of this article, this text wouldn't look out of place as the logo for some sort of cosmic math metal band), to the colour gradation, to the sleek sci-fi lines and shapes in the background. The US cover (below) isn't awful either, but it lacks the eye-punching appeal that the Japanese release displays.

The US version does many things the Japanese version did, but the change of colours diminishes the appeal somewhat. Still, a decent attempt.

Celebrating 25 Years of the Dreamcast and the Kaiju Monster it Rode in on

Well, shit. It’s been 25 years…or 300 months…or over 13 million minutes. That’s how long it’s been since Godzilla Generations was unleashed in Japan.

And the Dreamcast, too, for that matter.

In our house, it's always November 27th, 1998.

I was a tween when I first learned of Sega’s swansong console. Undeterred by President Shoichiro Irimajiri’s creepy disembodied head at the initial Dreamcast reveal, it was ultimately Sonic Adventure which ignited my hype for the platform and all the ambitious and imaginative experiences that would come to define it.

(From EGM #112 November 1998)
Don’t tell tween me that middle-aged me kept this tattered mag. He’d think it was weird and sad and he’d probably be right.

But the blue ‘hog was just the tip of the spear. With unprecedented visual and aural fidelity, groundbreaking online capabilities, intuitive hardware architecture, and a supplemental operating system, the Dreamcast fancied itself as both a developer-friendly haven and bleeding-edge forerunner of gaming’s future.

(Preserved by Unseen64.net)

Elsewhere on the software front, Virtua Fighter 3tb, Get Bass/Sega Bass Fishing, and Sega Rally 2 signaled a renewed commitment to Sega’s iconic arcade experiences at home. Blue Stinger, Pen Pen TriIcelon, and Climax Landers (eventually released as Time Stalkers in the West) flaunted their vibrancy and helped crystallize the Dreamcast’s aesthetic. AM2’s Shenmue – known as 'Project Berkley' at the time – promised to help reimagine how players might inhabit dense and bustling virtual spaces. Meanwhile, the presence of Biohazard: Code Veronica and D2 hinted at resurgent third party support from large and small game makers alike. And Godzilla Generations…was also there.

Although most of Sega’s in-house projects had yet to be unveiled in depth, they’d go on to spark a creative and innovative renaissance that continues to endear the Dreamcast to us a full 2.5 percent of a millennium later.

(From EGM's 1999 Video Game Buyer's Guide)
Some of the other games I was looking forward to.

In the meantime, Sega faced hurricane-force headwinds as it prepared to get the thing off the ground. The community has expressed no shortage of anecdotes for all the challenges stacked against the company at the time. Among them, people often blame the following:

• Sega’s dwindling financial resources (i.e. capitalism*);
• A merciless competitive landscape amid Sega’s diminished command of industry trends (also capitalism*);
• The upcoming launch of the PlayStation 2 (capitalism strikes again!*);
• Intracompany divisions over the direction and priorities for the Dreamcast across regions;
• Sega's squandered goodwill with publishers, manufacturing partners, retailers, and consumers through several generations of missteps;
• Minimal time to prepare for the Japanese launch, yielding a meager day one lineup and delays for several would-be launch window titles;
• Shifting tides in consumer sentiment (sometimes people just like other things, you know?)
• Sega being Sega;
• Obama.

* I mean, maybe Sega just sucked at capitalism and that's totally OK. Would we really love the Dreamcast as much today if it had been managed by a more fiscally responsible and risk-averse company?

To me, Sega’s biggest challenges of the era were inseparable from its identity. The company’s deep-rooted stubbornness and rebelliousness – while enabling its uncompromising creativity and ambition – led it to hang its fortunes on innovations the public was not yet ready to embrace (e.g. online console gaming). At the same time, Sega continued to cling to established conventions which had fueled its past success and legacy but were falling swiftly out of vogue, globally (e.g. its arcade-centric ethos). In straddling the future and past, Sega found itself awkwardly out of step with gaming's present.  Sega was a perpetual pioneer yet it struggled to meet people where they were, or adapt enough to counter its competitors’ most basic strategies to woo them. Sadly — insomuch as we can feel sad for a for-profit corporation — the world was growing ambivalent to Sega’s presence and there wasn’t much anyone could do about it.

(From the What's Shenmue? Dreamcast demo)

In many ways, the Dreamcast’s Japanese launch reflected the history of this turmoil. And charmingly, Sega owned it. The company responded by promoting the platform in perhaps the most human way imaginable. Senior Managing Director Hidekazu Yukawa (R.I.P.) became the literal face of the Dreamcast to the point his image was emblazoned on a later edition of the console’s retail box. People knew him as Mr. Sega.

Sega’s Japanese Dreamcast advertising campaign was unconventionally humble and earnest, a likely reflection of Yukawa-san himself. Abandoning the brutish bluster of Segata Sanshiro’s salesmanship, Yukawa wore a friendlier face and carried a more genuine demeanor. Acknowledging the dire situation Sega found itself in, he made a gentler appeal to players. He was simply grateful for the chance they may invite the Dreamcast into their homes.

(via Advermax on Youtube) 

Yukawa-san was just doing his best.

The Yukawa TV ads rolled with the punches with humility if not grace. In an early spot, demon children haunted Yukawa’s nightmares, exclaiming they didn’t need Sega just before a rift opened and swallowed him into an abyss. And when production challenges hobbled Sega’s ability to produce enough Dreamcasts to meet retail targets, Yukawa-san dedicated an ad to apologizing for the stock shortages while fans pelted him with trash (gamers, amirite?). Meanwhile, his wife wondered when he’d be done with making all these stupid commercials. It was a pitiful ad campaign in that Yukawa-san and Sega actively solicited our pity.

So yeah. Sega was having a rough time even without a new generation of competition looming in the next millennium. As such, the company aimed to seize as much of a head start as possible, hastening the Dreamcast to the Japanese market just to get it out into the world. No doubt Sega of Japan needed to start generating revenue and building a user base sooner rather than later. So as a byproduct of that, there was little time to develop games ahead of the Japanese launch. In fact, the Dreamcast rolled out with four whole titles on day one.

The Dreamcast lobster

I recently revisited those Japanese launch games, so I'll ramble about them next...

Let’s take a look at the Sega Sports 2K1 Bible Editions

An actual book on the coffee table.

The Sega Sports 2K series is probably a lesser discussed set of games here on the Junkyard blog due to our predominantly UK-centric staff. The series formed a key part of the install base and marketing of the US Dreamcast campaign, and at least when I was active on the Dreamcast Junkyard Facebook group, it felt like every other week one of the 2K games would be cited as a favourite or a key memory of new members from the US side of the Sega sphere.

Whilst some of the 2K titles did get a European release, it's the Japan-exclusive 2K1 “Bible” releases that I am looking at here, and to be honest this is more of an accompanying article for the below YouTube video that looks at them in greater focus.

In short, these Bible releases are a re-packaging of both NBA 2K1 and NFL 2K1 that include not only a copy of the game, but a lovely printed booklet explaining not just the actual game, but the sports and their respective teams. The booklets themselves are rather large (especially that of NFL 2K1), which explains the "Bible" naming. At least from what I can discern from the loose amount of camera phone-based translations, these accompanying tomes are much more in-depth than you'd probably expect.

The booklets themselves both follow roughly the same layout: starting with instructions on how to actually play the games, before leading straight into set plays, formations and information breakdowns about the respective sports. As I mention in the video, my knowledge of basketball pretty much starts and ends with things I've learnt from either NBA Jam or the original Space Jam movie. However, as I’m much more au fait with NFL, I can appreciate how useful this guide - or at least an English variant - might have been at the time of release as it was around then that I was getting back into the NFL as a student in my early 20s.

Anyway, check out my video below:

If you don’t feel like listening to my droll “raised by Scottish people in the East Midlands before living in Sheffield for 20 years” tone (and who would blame you) then feast your eyes on these hastily taken snaps below instead.

The NBA 2K1 game and Bible packaged together.

The NFL 2K1 game and Bible packaged together.

Both Bible Editions side by side (kind of).

The "NBA Data Bank" section of the NBA 2K1 Bible.

Information on Miami Heat and their starting line up.

Information on San Antonio Spurs and their starting line up.

A glossary of basketball terms.

Different types of NFL plays.

Baltimore Ravens players.

Cleveland Browns players.

Seattle Seahawks players.

Were you aware of the Bible versions of NBA 2K1 and NFL 2K1? Would you have liked to have seen an English version of these booklets for the Western releases of these games? Let us know in the YouTube video comments or the comments section below!

Sakura Wars Returns with Flying Colours (PS4 Review)

The Sakura Wars (aka Sakura Taisen) series is possibly Sega's worst-kept secret, at least for us in the West. Most Dreamcast fans have probably encountered it at some point, but without the ability to understand the Japanese language, most have not proceeded further. This Japanese steampunk-themed tactical RPG series was a massive hit in its country of origin, spawning sequels and spin-offs, as well as crossing into other forms of media. As I'm writing this, the Sakura Wars multi-media franchise has surpassed over 4 million units shipped in Japan.

Despite the series' massive success, Sakura Wars was probably deemed too culturally-different for Western gamers, probably due to its heavy use of unfamilar (at least, back in the late '90s and early 00's), visual novel/dating simulation-style gameplay. The only Sakura Wars game from the original batch to be localised into English was the fifth game in the franchise, Sakura Wars V: So Long, My Love (released on the Wii and PS2). Most would probably agree that it wasn't the best entry the series had to offer, but hey, at least it was something. The series would then remain untouched for many years.

This was no small franchise. A big thanks to our very own Mike for the pics.

But Sakura Wars has stepped back onto the stage and into the limelight once again. Sega have blessed us with a worldwide (albeit, staggered) release of a flashy modern-gen reboot of Sakura Wars, exclusively for PlayStation 4. Developed by Sega's CS2 R&D department, Sakura Wars saw involvement from new and returning staff; including veteran Sega producer Tetsu Katano, director Tetsuya Otsubo and music composer Kohei Tanaka. Tite Kubo, the creator of manga ultra-hit Bleach was responsible for the designs of the main cast of characters. Guest artists BUNBUN (Sword Art Online), Ken Sugimori (Pokémon) and Shigenori Soejima (Persona) contributed their talents towards the designs of various supporting characters. It's clear from such star studded pedigree that Sega really pulled out all the stops for this one, and as an owner of a pre-order copy that turned up three days early, I'm happy to confirm that it resulted in a big success. If you're a fan of Sakura Wars, you'll be happy to know Sega have done the franchise the justice it deserves. If you're new to Sakura Wars, this is the perfect entry point.

The Dreamcast Cocktail

For a limited time (Oct 15 to Nov 14, 2018), there was a Dreamcast inspired cocktail available from Japanese Karaoke Bar chain JOYSOUND.

Classy

It was only available on the secret "back menu" - items that were unlisted and not advertised in store. You could only order one if you were "in the know" and hence forth impress all your Japanese salarymen and careerwomen buddies. It would set you back a princely 680 Yen.

And just what goes into a Dreamcast cocktail, you might ask? Let me impress you with my elite on screen character recognition software and google translate skills:

(....drum roll....)

A Beginner's Guide to Visual Novels on the Dreamcast

Avid fans of the Dreamcast are most likely already aware that the console enjoyed a much longer life in its home country of Japan (the last officially licensed Dreamcast game, Karous, was released in 2007). For this reason, as well as the fact 90s console developers had a track record of thinking Western gamers were frightened of anything even slightly unconventional, there is an extensive list of Japan-only Dreamcast games just waiting for fans to import. The best part is that so many are playable without knowledge of the Japanese language. All you need is a boot disc or a modded Dreamcast and voilà! you've unlocked another section of the Dreamcast library. Check out our A to Z of Dreamcast Games if you want to know the best Japan-exclusives to get your mitts on.

However, for every playable game, there are just as many that are unplayable for anyone who isn't fluent in Japanese. Anyone who is insane enough to try and collect a full Japanese set will soon realise that there is plenty of "filler" - the kind of stuff you only buy for the sake of checking another game off the list and not because you are actually going to be able to play it. You know, those games with the anime girls on the front. Games like this:

 

Some might mistakenly call these things "dating simulators", but that's a different kettle of fish entirely. No, these are "visual novels", and they do exactly what they say on the tin, they are novels with visual elements. The term was coined by developer Leaf, with their "Visual Novel Series" of text-based adventure games (source). Boot up any game like this and you'll be greeted with nothing more than walls of Japanese text and images of anime characters making various expressions. They are a very niché style of game that have never had a big following outside of Japan, especially back in the early 2000s (hence their Japanese exclusivity). Some may debate whether or not they are actually games at all, but they're still something I'd recommend to keen readers and anime fans alike. 

Their "gameplay" more or less consists of reading text and (in the case of the most common type of visual novel) occasionally answering a multiple choice question on how the main character should react or respond in a certain situation. That might not sound all that interesting to some, but I like to look at visual novels as a more visual version of a choose your own adventure book, and being a fan of anime, the artwork contained within is something I'm familiar with. A lot of the stories are enjoyable, and believe it or not, the plots aren't always romantic; there are visual novels that focus on genres like sci-fi and mystery, for example.

Does it Matter if You're Black or White?

I know what you're thinking. You're thinking that this post will relate to the design shift from white to black in the old US of A-NTSC land. Well, you'd be wrong, I'm not going to talk about that. It's already common knowledge and well understood, though I will just quickly mention that it's supremely handy that both designs use a standard 10.2mm CD jewel case with a clear plastic tray. These are dime-a-dozen and can easily be replaced if you want to return your collection to showroom condition.

Nope, not going to talk about these.

Top 5 Dreamcast Games for Studying Japanese

The title of this article is a bit misleading so a disclaimer is necessary. Firstly, you will not learn Japanese through playing Dreamcast games alone but they can be a great tool when used to supplement regular study and great fun to boot. If you really want to learn Japanese to any significant usable level then you need to study some textbooks (Genki textbook* is a good place to start), go to a class and/or visit Japan for a significant period of time. A more appropriate albeit less catchy title would have been 'The Top Five Dreamcast Games to Supplement the Gruelling Years of Japanese Study Required to Play Most Story Heavy Games… with difficulty… whilst referring to a dictionary regularly,' but that's perhaps a little harsh and not nearly as click-bait-worthy.

Even something quite basic, accomplishable (is that a word? Well, it bloody well should be) in a weekend, such as memorising Katakana* (Japanese letters used to write foreign loan words usually imported from English) will enhance your experience with Japanese games. Now, let’s get started!

Paint-tastic!

5. Fire Pro Wrestling D (Arcade Style Games)
This really includes any game that isn’t reliant on story or excess text to be playable; fighters, puzzlers, racers, platformers etc. You can jump right into these games without knowing a single word of Japanese and still have a blast. Where you can often run into difficulty however, is in the menus. Despite being of Japanese region, many games have their menus and option screens written entirely in English, but there are just as many where this is not the case. Learning Katakana* will go about 70% of the way to making them understandable, luckily they can be memorised in as little time as a weekend or two. During or after the learning process, decoding menu and option screens can be a great way to improve your reading ability.

Fire Pro Wrestling D's menus are full of katakana*

Who Dat? Dreamcast: Not the Console - the Anime Lady!

Did anyone here watch the anime SEGA Hard Girls last year? It was a short lived 13-episode series of only 11 minutes a pop, and starred the Mega Drive, Sega Saturn and Dreamcast as school girls attending a Sega high school where they are warped into games like Space Channel 5, Jet Set Radio and Virtua Fighter to earn medals. It's a very odd premise, and I'm really surprised that in this day and age, and so long after Sega stopped making consoles that they would make something like this. That said, it is so full of in-jokes for hardcore Sega fans it's hard not to like.

This video by friend of mine DiGi Valentine is a review/analysis of sorts of the character that represents the Dreamcast, detailing her design, personality and importance to the anime series. DiGi does a particularly good job of explaining her ditzy, zany attidtude attributed to the fact that she has a built in modem like the console. If you liked the video, go to DiGi's channel to see more character reviews including plenty of other Dreamcast icons such as Ryo from Shenmue, several Street Fighters and even Big the Cat.

Nikkei Dreams: Business On The Dreamcast

The Dreamcast is often described as a system that was ahead of it's time, and in many ways it was. You only have to look at all of the ingenious peripherals and add-ons; even the lowly memory card, the VMU, is a technical marvel when you think about it. The entire range of official and unofficial enhancements is as staggeringly large as it is diverse, but perhaps the most important of them all is the one many of us forget is even there these days - the little modem stuck to the rear of the system. While the modem and the internet services it allowed played something of a minor role in PAL territories, and online gaming was a huge success in the US, over in Japan the humble modem played a much more interesting part in the story of the Dreamcast.

While the Dreamcast is first and foremost an entertainment machine, the modem allowed Sega Japan to look beyond it's primary function and decide that the console should also be used for other, non-gaming purposes. For instance, the console was installed in Toyota car showrooms and a whole range of bespoke 'Doricatch Series' GDs were produced. These were little more than advertising demos for various Toyota vehicle models and are today some of the rarest examples of NTSC-J exclusive Dreamcast software on the planet.

Boku Doraemon: Bored Robot Cat Simulator 2001

Hello there, the Gagaman here! With the arrival of my copy of The Dreamcast Ultimate Collectors Book and due to having some spare time, I have for the last few days been playing a lot of Dreamcast games; namely ones I feel I haven't played enough of. With this in mind I want to get back to writing articles here as its been far too long, so I may as well start by talking about what I was playing last night - a Japanese exclusive that is not very well documented, based on a famous long running children's anime: Boku Doraemon. More after the jump...

Which Version of Jet Set Radio is the BEST?

In the latest edition of my weekly article series for SEGAbits, I compared three regional versions of Jet Set Radio to find out which version was the best. Those unacquainted with the US, European and Japanese versions of Jet Set Radio may be thinking: “whats the big deal? A ton of Dreamcast titles were released in three regions.” Well, unlike most Dreamcast games, Jet Set Radio had rather notable differences between regional releases. Each version features unique graffiti tags, unique songs, different stages, different character names and voices and even different titles. Of the three, which is the best? That’s what we’ll try to decide today, by comparing five aspects of the games and choosing a winner! 

Check out my full article over at SEGAbits!

DCJY Rummage: Zusar Vasar

Another new Rummage review! I would love to make one of these every month or so, though things don't always work out as planned. Possibly the oddest (and oddest named) game I've played yet. Robotic animal chariot racing awaits in this drab racer, a game that would be mind numbingly boring if it wasn't for the battle mode.

You could say Wind Squid of Classic Game Room's obsession with flame-throwers has rubbed off on me. Also next time I decide to doodle art for one of these, I'll make them actually fit the ratio of the video, me thinks.

The Dream Eye! Oooh.

Well lookie what showed up toady: The DreamEye, a digital camera for the DC which I got rather cheap in an auction (about £20). Is that not the happiest box art you have ever seen? It's right up there with Samba De Amigo's box, at least.

Here's all the hardware of the box. The camera itself almost feels like a toy one, it's very light, has barely any buttons, a tiny light and weighs almost nothing. The blue part attached to it is a battery pack (takes two AAA's) so you can use it as a portable digital camera (albeit an extremely out of date one now, as most mobile phones can take better photos than this, let alone anything else).

You get a blue microphone adapter for the controller (just like the one you get with Seaman, Planet Ring etc) and a microphone head set, so you don't have to talk at the controller, which is nice. There's also a stand you can screw the camera into, which is quite heavy and sturdy.

Finally this is the software you get with it: Visual Park. The disc is in a CD case like any other Japanese Dreamcast game, only with no manual inside it as the manual is rather big, the same size as the box. Using the software is pretty easy even without being able to read the Japanese as there are plenty of visual clues to what is what.

The disc has an excellent photo editor that lets you do all sorts of daft things, and a video creator where you can record a (terribly compressed) 25 second clip and save it to your VMU or e-mail it to someone. You could also chat online with this thing, which is pretty amazing on a console considering it's age. Once again Sega was far too ahead of its time for its own good, and sadly this wasn't used for any other games like the Eye Toy was when that came out years later.

I'm working on videos of both the DreamEye and Visual park at the moment, but for now here'sa video I uploaded a little while ago in case you missed it.

Ever wanted to own over 500 mostly sealed Japanese DC games?

Well now you can for only 7,499 Euros (that's £7014, or about £13 a game) plus 149 Euros shipping! I spotted this insane buy it now on Ebay from a French shop there. Oh, and the seller isn't taking any offers. There is only one small photo of the massive lot, but the auction also has a list of everything featured in order of their release, phew! Even with this lot not everything is there: I noticed Trigger heart Excelcia's not there, oooh!

Apparently many special edition box sets are not pictured but included, though. Wouldn't it be great to just sit on a floor with this lot like a little kid at Christmas, unwrapping all those seals and sticking it online just to piss off all those hardcore collectors who don't like to play their games! Well ok, there are probably at least 100 games in there that are just anime schoolgirl dating nonsense, but still!

I found some other pretty bizarre auctions on there, including a job lot of 50 rumble packs. What in the hell could you do with 50 rumble packs? Actually, don't answer that.

You know what the real crazy part is, though? If this set of games was the equivalent of a couple quid a game, I'd be very tempted.

New Dreamcast 2 details!

Look at those specs! HD-GD ROM! A 1 Terabite Harddrive! Erm...what ever those other features say! Ok, not really, this is just some art I found over at Pixia. It's a pretty neat place to find odd Japanese fan art like that, and this rather excellent piece below. Click it to full view and see if you can recognize everyone on it!


EDIT: Another one, why not? This one is probably the only time I've ever seen anyone illustrate Seaman and Ulala IN THE SAME PICTURE.

Dreamcast Express Videos

Remember me showing you these in a post a while back of recent purchases of mine, including that modded Japanese Dreamcast? If not I'll jog your memory: these are demo discs that you could only obtain if you were part of the Dreamcast Partners Club. They only made 7 volumes but many of them had 2 discs in each. I managed to get these two volumes pretty cheap and they're quite a novelty.

Volume 4 contains a Tokyo Game Show '99 disc which is crammed with video previews of all kinds of Dreamcast games, including many that were not released here. Below is two youtube videos of all of these clips on the disc. Be warned; squeaky Japanese narration throughout that may grate on your ears.

What you won't see is how they're presented: you select a stand of Sega's Tokyo Game Show area, and a camera is swooped through that area in live action. As you swim past the set up games, you can hit A to view a video of that game. There are also interviews about Space Channel 5, Virtual On 2 and D2. The D2 video is a special screening in a fancy cinema room. The disc also contains some content to download to your VMU.

Volume 7 contains two disc with a whole bunch of playable demos and heaps of VMU game saves. One of the discs contains a bunch of videos, which I have a video of above. Blue Submarine No.6 looks particularly interesting, with stunning cel shaded graphics for it's age. Looked it up and the game is mega rare and expensive. I remember seeing the anime of that once.

There is also a video on there all about the Dream Eye, that sweet digital camera we never got over here, which gives you a good insight into how it works and what you can do with the software. Web cam chat on a console in 1999. Mental. As a further tease, the video also has footage of 'presents' you could obtain if you were part of the same club you would get these demos from. Virtual On soft toys! A D2 figure! An Afro Thunder T-shirt! I want it all! :(

To get a good read up on all of the Dreamcast Express demo discs, check out Segagaga Domain's write up on them.