Fragmented Almanac: Teaser Trailer and an Interview with Developer Roby Provost

Last month, the Junkyard office was abuzz with excitement when we caught wind of the news that Fragmented Almanac, a compilation of two eerie narrative-based puzzle games, was soon due to be released by fledgling indie studio ANTIRUINS on our beloved Sega Dreamcast. Alas, we don't actually have an office (yet), but the flurry of activity on our Discord and WhatsApp channels did a commendable job of emulating an exuberant water cooler experience nonetheless.

The duo of games contained within the Fragmented Almanac wrapper, The Hideout and Summoning Signals, have been in gestation for many years now, and whenever we had the opportunity to sample the work-in-development, our appetites for more only grew. At times it looked like the projects were sadly destined to join the extensive list of cancelled Dreamcast games, and so it was particularly sweet to hear that they are in fact now complete, and due for both physical and digital release in March of 2024.

Of course, after a lengthy session ogling the artsy ANTIRUINS website, I only wanted to learn more. Fortunately, lead developer Roby Provost has been kind enough to spill the beans in the following interview that covers everything from the conceptual foundations of Fragmented Almanac, down to the nuts and bolts of the game's printing and distribution. To put the cherry on top, Roby also provided us with a new teaser trailer that we are delighted to reveal for the first time here on the Junkyard.

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DCJY: Thanks for taking the time to speak with us Roby. To kick things off, can you tell us what players should expect from The Hideout and Summoning Signals, the two games that are being released together as Fragmented Almanac?

Roby: They are quite unique games. They're not shmups, that's for sure! I honestly think that Fragmented Almanac might be one of the most polished indie Dreamcast releases we've seen so far. As I tried to explain on our website, it is at the intersection of video game, art and alchemy. It's a game that makes you dream, or at the very least, makes you think. We wanted to make a project that lingers in the back of your mind, trying to decode the meaning of "scroll". The whole release is designed like a puzzle: full of secrets, truths and symbols. 

This being said, they are not long games. We wished we could have made the full version of Reaperi Cycle, a game which The Hideout was initially a demo of, but it was way too ambitious - especially when we first started back in 2016. Still, we think that people who enjoy strange, narrative-driven games with some puzzles will enjoy Fragmented Almanac. It's definitely a unique proposition, as games like Seaman or Seventh Cross Evolution were. Of course, I really think Seventh Cross Evolution could have been way better. Maybe we'll have to make Eighth Cross Evolution one day 😉.

And if you had to categorise them by genre, would it be fair to say they are "point-and-click" adventures, or is that too restrictive?

I honestly struggle to find the proper term for these games! You don't even click to move around, so perhaps it's more like a cursor adventure? But even that doesn't have a great ring to it. Maybe they are puzzle games? Strange, narrative-based puzzle games?

Whatever they are, they have a distinctive eerie and mysterious style. What is the inspiration behind that?

I think eerie and mysterious is just in our DNA! More seriously, most of the inspiration for our games is drawn either from ideas of the past, or visions of the future - and in particular, things that have been forgotten or that are not bound to happen. The concept of the almanac, a book or document that predicts the time, felt like a great starting point. It's interesting to think about what motivated the creation of almanacs. Were their authors trying to create a system to anticipate the future? Were they trying to provide a guide, a sense of security? Some almanacs are based on the words of religious texts while others get their predictions from the stars. It was interesting to research the many forms that almanacs take, both visually and in the information we provide.

For us, the Almanac is used to somewhat guide and inform the player. As you play the game, you'll unlock fragments and access more lore and art from the game. Muet (Simon Chiasson Greffard), one of our team members, is the one who infused The Hideout with most of its alchemical philosophies. We dug deep within alchemical imagery and symbols and tried to craft something out of it.

Flea!2 and Super Cambur Origins hit Kickstarter - Dreamcast Versions Available!


On this leapiest of days, the Dreamcast indie Gods are smiling upon us. Not one, but two titles have hit Kickstarter today, and they both have Dreamcast ports available. Must be a record. 

Let's get into them. 

Flea!2

Despite its NES roots, Flea! - from Dundee-based developer Alastair Low - was one of the most surprising indie titles to hit the Dreamcast back in 2020. Mike reviewed it very positively here on the blog, praising its fun but challenging gameplay that involved guiding a constantly jumping Flea through many deadly levels, collecting blood desperately needed by flea-kind. It seems it wasn't just Mike who thought this game was great though, as Flea! would go on to rank at 147 in our 2023 Top 200 Dreamcast Games vote, and 11 in our recent Top 25 Dreamcast Indie Games vote. The exceptionally fun Tapeworm Disco Puzzle followed next, building on the Flea! universe, and further cementing Alastair in the minds of the scene as a super talented developer. Have you seen the pop up book game he's been making too? Holy cow, dude.

Other than his upcoming collaboration with John Riggs, Chew Chew Mimic, which will also eventually be coming to Dreamcast, Alastair has been teasing development of a sequel to Flea! on Twitter for a little while now, but today it has hit Kickstarter - on a "leap" day, just as the original did! With a total backer goal of £7,000, Flea!2 is looking to to be more of the same goodness as the first game, but with some improvements and new mechanics. Alastair says in the Kickstarter teaser video that the game's "later levels will have you absolutely pulling your hair out". Basically, if you loved the first game, you're going to love this sequel too.

From the Kickstarter, improvements are listed as follows:

  • Dash ability from the start of the game 
  • Animated tiles 
  • Wormholes 
  • New UI with Level numbers 
  • More cutscenes like in Tapeworm New 
  • Music Tracks

And the fixes:

  • Smaller spike hitboxes 
  • Better swimming controls 
  • Dash works in boss levels 
  • Breakable boxes only break from top now

There is currently an early bird offer available which means you can grab the Dreamcast version of the game for £25 (early bird price is limited to the first 50 copies, and the normal price is £30). Of course there's NES carts available for £30+ (depending if you want the cart loose or complete in box), or if you'd prefer, a digital edition for £10. The Kickstarter is also offering some great add-ons, such as the Funstock Flea! plush, which I was sad to find was sold out on their store after reading Mike's article on Dreamcast game merch. Well, there's only 30 left, so get one while you still can by backing Flea!2! Oh, now there's 29 left, because I just backed (sorry!) You can also add a copy of Tapeworm Disco Puzzle to your order too, which is definitely worth it if you've not played it yet. All this is expected to be delivered in December 2024.

Don't talk shit about Mike's son.

If you’re someone who is unsure about Flea!2 on Dreamcast due to it being an NES game, there is a demo currently available to download for free. So give that a play and I'm sure you'll come away realising that the game is tonnes of fun, just as many others did. The quality and  fun gameplay of Alastair's games speak for themselves.

Once again, the Kickstarter campaign can be found here.


Super Cambur Origins

Our second indie is Super Cambur Origins from Spanish developers NAPE Games, and their title actually shares more in common with Flea!2 than just a campaign launch date. Similar to Alastair, NAPE also have a penchant for threading together universes of connecting storylines and characters, with both Ploid and Reknum Souls Adventure setting things off in 2022. The other thing Super Cambur Origins has in common with a game like Flea!2 is its NES roots.

Super Cambur Origins is an NES platformer featuring a banana superhero (that's what "cambur" translates to!) whose concept may evoke memories in British kids of a certain age… Although that was a human who ate bananas to become super, not a superhero banana... anyway, there's a Dreamcast port available as part of this campaign for €27, along with a digital edition. 

Super Cambur's Kickstarter has actually launched as a campaign to fund multiple games all taking place in the same “multiverse”, with an RPG called Super Cambur and the Sacred Orbs - which appears to just be for PC (Steam) - also available. There is also stretch goal prospects for a Switch and Steam fighting game called Super Cambur Skillmasters. Either way, the game you're getting for the Dreamcast is Super Cambur Origins, the platformer. 

You can check out the project page here. I also recommend watching The Sega Guru's video below for a good rundown of everything.

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Will you be backing either of these projects? Maybe both? Let us know in the comments below, or via one of our social media platforms.

The Top 25 Dreamcast Indie Games... Voted by You! (2024 Edition)

At the beginning of the year, we put the call out to the community to vote for their favourite indie releases for the Sega Dreamcast, and, as always, you have all responded in a big way! We had more than double the number of respondents than the last time we did this vote way back in 2016, with 71 different titles receiving a vote and Dreamcast fans from 17 countries over five continents participating. Well, we've now counted up all your votes, and can finally reveal the results of the 2024 Top 25 Dreamcast Indie Games poll!

As well as our Top 25 indie game ranking, we also asked you to name your favourite Dreamcast indie developer, favourite Dreamcast indie publisher, and most anticipated future Dreamcast indie release, and these results too are presented below. As an added bonus, and because of the sheer number of replies we received, I've also been able to give out some regional awards for the favourite indie games in different locales - so we can present the US, UK, European and Rest of the World regional awards for best indie games alongside everything else... which is exciting if you're a bit of a nerd like me!

My thanks goes out to everyone who took the time to respond and share in our common love of the Dreamcast indie scene - it's been a really, really interesting period of voting, with positions shifting daily and some big surprises to announce!

Without further ado, let's head straight into the Top 25 - if you'd like to follow along with the Junkyard crew (along with The Sega Guru and a return appearance from founder Tom Charnock) as we reveal these positions in "real time", then you can check out episode 128 of the DreamPod podcast on your podcast platform of choice, or on Buzzsprout.


25. Fast Striker

2010 - NG:DEV.TEAM

18 places down on 2016 poll ranking

The first entrant in this year's Top 25 and the first real surprise. Fast Striker may be getting on a bit now (14 years since its initial release), but it remains a technically competent and good-looking vertical shooter that is both accessible for the novice, while also packing some challenge for the veteran shooter fanatic. Whilst it peaked at the number seven spot in the 2016 indie poll, it's never managed to break into any of our Top 200 Dreamcast games lists, and only just makes it onto this Top 25 indie list - which feels a little unfair for it, really. If you're looking to pick this one up you'll have to rely on eBay or other online sales, as copies are no longer able to be purchased new. Ripe for a re-release though, surely?

24. Rocketron 

2021 - Astro Port / JoshProd

New entry

A criminally low ranking for this one. Astro Port and JoshProd's epic sci-fi Metroidvania-style platforming adventure is a hugely enjoyable title that sees you flying around levels via a rocket pack, taking down an array of imposing enemies and exploring an expansive world. Unfortunately, it may be the case that this one was lost in the mix of other numerous JoshProd releases at the time, and despite reaching a very respectable position of 117th in our 2023 Top 200 games list, it struggled to get much attention in this indie poll. Those who have played Rocketron, however, tend to love it, so I will encourage anyone reading this to pick up a copy from the PixelHeart store and give it a try.

NBA Showtime - For The Industry

Designed and published by Midway Games, Inc for the Sega Dreamcast in 1999, NBA Showtime is still worth playing in 2024, and its 128-bit graphics are worth preserving — for character artists and gamers alike.

When we position NBA Showtime on the Dreamcast amongst today’s sports games, something interesting happens. Showtime feels surprisingly fresh with its simple controls and tight playing moves. That is because Showtime is accessible in a way that modern NBA 2K purposefully never will be.

What’s more, Showtime’s old-school graphics and big time dunks led me to a major premise — design choices can impact the lives of the people who create and consume a game. That is because design choices made by big tech directly impact game budgets, development staffing decisions, and can even manipulate player spending habits, too. Powerful.

Without question, economical and responsibly made sports games are needed in the 2024 sports game market. NBA Showtime is a reminder of what is possible on hardware from over 20 years ago; and its 128-bit design may serve as a prescription in the face of an industry profiting billions off of gambling mechanics in sports games.

NBA Showtime’s Economical Design


Showtime’s economical design for the Dreamcast illustrates why arcade sports games are still worth playing. "The NBA on NBC", as it was known in the arcades at the turn of the millennium, is fun and super competitive without complex gameplay controls.

I did not expect to play Sega Dreamcast sports games in 2024. And upon powering up, I did not anticipate Showtime’s orchestral strings to invoke such strong emotions about its standing. But when we position it amongst today’s lineup of sports games, nothing actually compares. Whereas NBA 2K, the top selling NBA Basketball game series of the last decade, adopts a model of endless combinations and movesets, Showtime has just four buttons. Easy. One of those buttons is capable of launching three point shots high into the atmosphere, where the basketball seems to sky just long enough to remind yourself to breathe. Hence, the game does fun things with the sport through its iconic presentation — taking a three-pointer and turning it into an exciting event to replay over and over.

More importantly, Showtime is offline, and thus not connected to your credit card. It feels honest — unlike today’s games ruined by wallet exploits and complicated control schemes. The NBA 2K series, a prime culprit, builds its obfuscated player ratings and movesets into its game economy systems. Yes, the NBA’s flagship game has endless shops of in-game items to purchase. Everything is for sale.

Moreover, sports gamers today are at the mercy of the engineers at 2K Sports because 2K’s gameplay is constantly patched, often without notice — an unethical and potentially illegal business practice. For example, an animation purchased in week one of a game release might lose all value by week ten. Thus, 2K’s confusing layers of ratings systems are purposeful, designed to extract maximum funds out of players’ pockets.

Contrasting with 2K, Showtime’s rosters are locked in at specific ratings, and the game features a handful of player archetypes. Bigs, mids, and guards. That is it, and it works. Showtime is a game to enjoy, and its designers emphasized quick-hitting matches to keep the gameplay loop moving. For arcade machines, the gameplay loop was profitable, but on Dreamcast, players can play endless matches for a flat fee. For context, I purchased the game on eBay for the fitting price of $19.99 in late 2023.

Additionally, Showtime provides an abundance of what it calls its “coaching tips” in-between quarters that provide insight into the game’s AI and logic. Hence, we know a good deal about how Showtime works. And Showtime is not going to unilaterally change its player ratings any time soon via an online update.

When we look at Midway's arcade baller today, its simplicity comes across as a bit underrated. The graphics are blocky, the animations — awkward. But that is part of its charm, and the game can still hammer home the dunks on the genre to remind everyone it is still fun.

A 128-Bit Prescription for the Industry


Perhaps more importantly are the moral and ethical benefits of 128-bit gaming in 2024 in its various polygonal forms. In a word: remasters.

Remasters of 128-bit polygon arcade games like Showtime may be a compromise for all parties to the sports gaming ecosystem. That is because NBA Showtime’s art-style is highly affordable for the industry to adopt in 2024. As such, a remaster of an NBA Showtime in 2024 would be less laborious on designers, and cost less than most AAA games. For an industry known to run artists into the ground, a remaster is a win. While this argument glosses over the issue of obtaining the requisite licensing for all the players, there are always solutions when there is money to be made. We can trust in that notion.

The benefits of 128-bit games also extend to graphic designer and artist employment terms. Silicon Valley’s unethical practice of hiring and firing artists in waves is unnecessary when a 128-bit game costs a fraction of a major simulation sports production in 2024. The 128-bit graphic design choice is an act of acknowledgement to the artists from generations ago. Remasters can take us back to our roots, and maybe that is something the industry needs right now.

Lower development costs for a 128-bit production also thereby lessen big tech’s need to exploit players through in-game monetization systems. And while we cannot conclusively draw a line between development costs and microtransactions in our games, we can certainly argue the correlation. Lower costs have numerous benefits on the industry. Art direction matters.

Thus, remasters of classic sports games like Showtime represent a path towards dignity for everyone the game touches. Remasters can honor the original artists of NBA Showtime, while treating the artists of today with dignity. And remasters lessen the need for companies to build in morally bankrupt gambling modes into sports games. The premise is simple — companies should have a profound respect for persons and dignity. Human rights should be a part of our game design choices and the industry as a whole.
When we revisit NBA Showtime in 2024, it is less about nostalgia and more so about what the game now represents in the sports genre. The use of 128-bit graphics in sports games in 2024 is a practical path to more humane treatment of game artists and sports game players.

Dreamcast Light Gun title Death Crimson 2 has been Translated into English!

For a console that famously championed peripheral use, the Sega Dreamcast sure had slim pickings when it came to games that utilised the light gun. Most notably, the console received arcade-perfect ports of both The House of the Dead 2 and the severely underrated James Bond 'em up Confidential Mission; but what else was there? Those who dared to discover were met with Silent Scope without light gun support, a port of Virtua Cop 2 that was stuck on a disc with a load of poorly emulated Genesis games (unless you imported the standalone Japanese release), a hidden light gun mode in Demolition Racer: No Exit (yes, really), and the Death Crimson series.

Developed by Ecole and released exclusively in Japan in 1999, Death Crimson 2: Meranito no Saidan has the very distinct privilege of being the sequel to a game so notoriously bad that it had a particularly masochistic set of Japanese fans gluing the game's disc into their Sega Saturn so as to make sure the console could never play any other game. Luckily, Ecole did improve, and Death Crimson 2 was received better than its predecessor. Perhaps the most intriguing part about this sequel was the inclusion of a full story mode with almost Resident Evil-esque free-roaming sections where you explore in a third-person perspective outside of the light gun gameplay. While an "improved" version of Death Crimson 2 called Death Crimson OX did receive a Western release (in the USA, at least), it completely dropped the story sections, meaning non-Japanese speakers never got a chance to experience this weird mishmash of gameplay in the English language. 

Well, fret no more, as a fan translation of Death Crimson 2 has just released today! And who translated this Dreamcast light gun oddity, you ask? Well, it's the same guy who did the last English Dreamcast fan translation, too, and many before that! That man being - of course - the ever-busy Derek Pascarella.

With Derek's patch, everything in the game is now translated into English. This includes everything from the story sections, to cutscenes, to textures and graphics; with misspelled English place names (such as street signs) also being corrected to match the official Western release of Death Crimson OX. 

As always with Derek's releases, he's gone above and beyond with extras and enhancements. First up, Derek has added a VMU icon for the game, because Ecole were too lazy to implement one themselves. Next, he added a cheat function, which can up your lives and reset any countdown clock with a simultaneous press of the Dreamcast controller's left and right triggers. The reasoning for this is to allow players to experience the game's story without having to endure going through numerous difficult stages repeatedly.

Then you have the bonus content section, which is accessible from the game's main menu. Utilising a modified version of the Dream Passport browser, players can access a variety of extras from the series, including a video of composer Kunitaka Watanabe tearing it up on the keyboard as he plays the original Death Crimson theme, along with an archive of fan support messages from Ecole's now-offline official Death Crimson 2 website, which have been machine-translated into English.

So, to download Derek's fan translation patch for Death Crimson 2, just head to its dedicated GitHub page to download it. For detailed steps on how to apply the patch for your desired method of play (i.e. burning to a CD-R, playing on an ODE), see the patching instructions section of the README. While the game does support the standard controller, if you're going to be using a light gun I recommend consulting the section on light gun compatibility. Make sure you report back to Derek if you experience any issues with a particular light gun setup, as he will aim to try and resolve such compatibility bugs in the future.

Are you going to crack out the light gun and give this English fan translation a go? Let us know in the comments below, or by hitting us up on one of various social media channels!

Dreamcast Covers that Go Hard (and Some More that Can Go Straight in the Bin)

Like the greatest album covers in the world, some games make a great impression even when sitting on a shelf. Whilst previews in the media, video trailers and word of mouth are vitally important, it would be wise not to underestimate the immediate impact a game’s cover can have on those with more impressionable minds. Generic artwork or uninspiring stylistic choices may be fine if the game has loads of pre-release hype or a big name license, but stick some glorious artwork from a talented artist on the cover and you're near enough guaranteed some extra interest.

The Dreamcast's small but beautiful library of games is jam-packed with turn-of-the-millennium style and innovation, and this is present in some of the artwork which adorned gaming shelves worldwide. Some are of course, iconic - Ulala's presence on the Space Channel 5 artwork, the striking simplicity of the PAL/Japanese covers of Crazy Taxi, Shenmue's epicness - but there are some that deserve more attention. These are works of art - they deserve to be blown up to a larger size, framed and hung in the finest of art galleries. So it's time to put my best gallery curator hat on and showcase why I think these fifteen choice cuts of Dreamcast cover art glory are examples worthy of so much praise, followed by five duds that deserve the complete opposite...

All covers used in this article come from Sega Retro, unless stated otherwise. Let's get into them...


The Dreamcast covers that go hard...

Spawn: In The Demon's Hand

I could have picked any of the cover variations of this release, as they are all absolutely epic in nature, but I've chosen the standard Japanese cover. Looking more like some great, unknown fantasy war metal album cover, this puts Todd McFarlane's comic masterpiece centre stage with a swirling mass of metal, cloak and spikes. Spawn is the ultimate badass antihero, an imposing demonic hellspawn, and a character that is designed to be visually interesting in whatever angle, pose or situation he is depicted in. As a game, In the Demon's Hand falls a little short, but the cover art surely must have led to a few extra sales.

The artwork for the standard Japanese version, as well as that used on other examples of the game, seem to have been taken from Spawn issue 95. The limited first print edition of the game released in Japan came with a cardboard slipcase with artwork similar to the US and PAL releases - all of which are based on the cover of 95.

The Japanese limited first print edition slipcase artwork (Credit: PlayAsia)

The US cover has the same artwork as both the Japanese slipcase and the PAL release. It's a bit cleaner than the standard Japanese cover, and not as impactful.

The cover art for Spawn issue 95, the artwork of which was the basis for the game covers above.

Mars Matrix (Japanese cover)

Takumi's underrated shooter delivers a depth to the genre that's unrivaled on the console, and has the best cover of any shooter on the system (particularly the Japanese version's cover). I will take no criticism of that viewpoint! This cover is a dynamic, colourful burst of energy which breaks away from the usual clichés seen on the covers of other shoot 'em ups, whilst never going so far out there that you'd be confused as to what genre of game it actually is. Taken as a whole, it's a piece of art; from the fonts used for the title (to continue with the metal references of this article, this text wouldn't look out of place as the logo for some sort of cosmic math metal band), to the colour gradation, to the sleek sci-fi lines and shapes in the background. The US cover (below) isn't awful either, but it lacks the eye-punching appeal that the Japanese release displays.

The US version does many things the Japanese version did, but the change of colours diminishes the appeal somewhat. Still, a decent attempt.

Minecraft-Clone "ClassiCube" now available for Dreamcast - supports Online Play

Do you know Minecraft? No? Have you been living under a block? Joking aside, if you seriously don't know what Minecraft is, then it is a game where you jump around swinging a pickaxe at all different types of blocks to build or destroy whatever your heart desires. It's like Lego with minerals... or something.

The reason I'm referencing a game that is hugely popular with people too young to know that the creators of Sonic once made video game consoles, is because today I was made aware that ClassiCube, a free, open-source clone of Minecraft, has hit the Dreamcast, and it supports online play! Seems the news trail went as follows: YouTuber (and friend) The Sega Guru told YouTuber (and friend) James Jarvis (aka ItsMuchMore) and then I found out from a post by excellent Dreamcast online gaming resource (and friends) Dreamcast Live.
Screenshot from the PC version of ClassiCube.
This Dreamcast port of ClassiCube is currently only in the early alpha stages, which means it is likely to crash/freeze or have issues with performance, but as a proof of concept, it really is an exciting project. Click here to download the .cdi file for it, and if you want to try getting it online, I highly recommend checking out James' video below.


Also check out The Sega Guru's video, which includes an interview with the developers. 

Believe it or not, we actually saw another homebrew Minecraft project for the Dreamcast back in 2017 called "Crafti". Tom wrote about that here.

Are you going to give ClassiCube a go? Do you think this is an exciting project? Let us know in the comments below, or via our social media channels?

Fragmented Almanac: Unique Dreamcast Puzzle Collection goes up for Pre-order!

One of my favourite memories from when I first got involved with The Dreamcast Junkyard happened towards the end of February 2020, when I played the demo for "Reaperi Cycle" in preparation for an episode of our podcast, the DreamPod. Interesting extra tidbit: I'd got engaged to my now-wife just the day before! 

Upon booting up the Reaperi Cycle demo, I was met with a point-and-click game in an isometric style, with really compelling pre-rendered graphics indicative of 90s PC titles, such as Sanitarium. This was not a style of game I ever expected to hit the Dreamcast, but something that I'm so glad I played. The mission of the demo was to solve puzzles in an alchemist's study to try and unlock a strange floating cube in the middle of the room. Not being that smart a puzzle game aficionado, I found some of the puzzles quite tricky to solve, which had me turning to fellow Junkyarders Tom, Mike and James for help, as they were also playing the game in prep for the podcast. 

Reaperi Cycle

In this age of instant information, even if we'd tried to look for a walkthrough to this demo, we would've come back empty handed, so what followed was something I'd not experienced in a long time: we started exchanging hints and tips with one another about what we'd each managed to figure out. With everybody's help (particularly Mike's, if I recall correctly), I eventually managed to get that cube open and complete the demo, and it felt awesome. It took me back to my playground days of yore, when my friend who was a year older than me would effectively function as a walking walkthrough guide, helping me out with advice whenever I got stuck on Pokémon Red. Reaperi Cycle reminded me of that, and it was amazing to feel that same buzz once again of utilising the advice of friends to finally beat a game. 

So then... why did I share this sentimental little tale? Because developer of Reaperi Cycle, ANTIRUINS, is finally releasing definitive versions of not only Reaperi Cycle (now known as The Hideout), but also Summoning Signals, another excellent demo that they also showcased back in 2020. And what's more, they're both combined into one release, called the Fragmented Almanac, with enhanced visuals and audio. That's two really unique games for the price of one, and you can pre-order them today, for an expected release date of March 2024.

Fragmented Almanac will be available digitally for $14.99 (for play on emulator, ODE, etc), with disc copies costing $29.99. The physical game comes in two editions with different cover art, and they both look absolutely sick. You'd be forgiven for mistaking them for some underground band's short-run release on some boutique indie label's Bandcamp. "Dude, I really hope they release Fragmented Almanac on vinyl next!"

On ANTIRUINS' store page for this release, the collection is described as follows:

"The Fragmented Almanac is a strange document, an oddity even amongst Dreamcast games.  At the junction of video games, art and alchemy, this project is the culmination of 7 years of Dreamcast development, spread over 5 different games. The Fragmented Almanac re-unites two of these experimentations under a multifaceted and complex timeline."

And the games contained within:

"THE HIDEOUT : This place is filled with alchemical knowledge, old tales and mystical symbols. It's the hidden path in the forest, seen by very few. Can you unlock its secret?

"SUMMONING SIGNALS : Sprinter-2 crashed on an Unknown Planet. Help the Pilot and figure out a way to leave the labyrinth. Discover this strange world where new technology and old ruins coexist."

The games also boasts such features as a "new Almanac system [which] guides you through the complex world", an "eerie soundtrack composed by Gabriel Ledoux" and the useful extra of "hints [being] displayed on the VMU". Nice.
The developers of Fragmented Alamanac are Canada-based, but did confirm in our Discord that they are currently working to try and get a distributor arranged for Europe, although $11 to get one of these sent to the UK (where I'm based) isn't too bad a delivery cost. Once again, you can pre-order the game here.

Are you going to check out The Hideout and Summoning Signals as part of the Fragmented Almanac? Let us know in the comments below, or on our socials.

Hands On with the Retro Fighters StrikerDC Wireless Dreamcast Controller

Retro Fighters have recently released the Wireless update to their StrikerDC “next gen” Dreamcast controller. We took a look at the original wired version way back in 2020, which was so long ago I forgot that it was me who did the actual review.

Well, we here at the Junkyard have the new version in our grubby little hands (thanks to Retro Fighters for sending us some units to review), and we've started to put it through its paces… and everything is so far, so good. In the video below, you can see my initial thoughts and feelings pretty much in real time, with just one or two edits in and around the fat of the content.

Can't be bothered to see my stupid face? I get that. Then to briefly summarise my initial impressions: this is a product that improves on the original in most ways, the triggers and analog stick both feel nicer when in use. Having stopped to think about it, I’d say the triggers feel similar to something like the Razer controllers I have, as they have a nice audible click when pressed. It will be interesting to see if they hold up over time, unlike those of the wired version, which many had to send off to Retro Fighters for replacements. Also, as far as I can tell, the controller has no input lag.

For more information on all the controller's new features, check out Lozz's original news post about it.

If you have one of these, owned the original, or have a question, then let us know in the comments below or on one of our social media channels.

The Top 25 Dreamcast Indie Games 2024 - Voting Now Closed

It's been eight years since we last went to readers, viewers, listeners and followers of The Dreamcast Junkyard to ask YOU what the best indie games for the Dreamcast are... and what an eight years it's been! Incredibly, no less than 43 new indie games have seen release for the console in that time - and that is just those that received actual physical versions.

As we're officially in the Dreamcast's 25th year of celebrations (I am now dubbing the time between the Japanese launch in 1998 and the PAL release in 1999 "the Dreamcast anniversary year"), it seems only fitting to bring this vote back and see what the current fan favourite indie games are, especially considering the increased number of releases since we last did the vote. Pier Solar topped the charts last time, just beating out Sturmwind, but a lot has happened since then!


How to vote:

Simply click on the form at the bottom of the page (or here, if its easier!) and name your selection of a minimum of three indie releases, with a maximum of 10. There's no need to order them, however you will be asked to select one of your choices as your absolute favourite on the second page of the form. I will then have the Junkyard gremlins work their magic, run the spreadsheets, click the dials and receive brown paper envelopes in dark parking lots so that we end up with the definitive Top 25 list of indie games.

That's not all though. As well as using this chance to work out the Top 25 indie games, we've also got a few additional votes that you can take part in, namely Best Indie Developer, Best Indie Publisher and Most Anticipated Future Indie Release.


Criteria:

I suppose we better clarify what an "indie release" is. Any commercially released or free game that runs on the Dreamcast that was not officially licensed by Sega but was sanctioned for release by its developers or rights holders, qualifies. This includes all the games listed in my Complete Guide to Commercially Released Dreamcast Indie Games article, along with any other game that can be downloaded digitally for play on the Dreamcast for either a price or free, as long as it was allowed by its developer or rights holders.

The only titles that don't qualify for this voting would be unofficial ports of games, such as the Atomiswave ports, or unofficial mods or hacks of existing games (including any Beats of Rage mods, although Beats of Rage itself does qualify). Basically, if the developers or rights holders didn’t authorise it for play on the Dreamcast, it doesn’t qualify. Also, any unreleased games from the Dreamcast's official lifespan (such as Millennium Racer or Propeller Arena, for instance) don’t qualify either.

You have until the 31st of January 2024 to vote, and once we have closed the polls and had the time to write up the results we'll be announcing the final list on the blog and across social media.

Voting has now closed.

The Complete Guide to Commercially Released Dreamcast Indie Games

The fact that we're still blathering on about the Dreamcast some 20 odd years after the console's demise is testament to two things - the fact that we're sad little people still holding on to a mere glimmer of nostalgia about our youth as we rapidly approach middle age, and also the fact that the community will just not let this console die. We obviously don't talk about the first of those points much (we don't want to remind ourselves that we're becoming less and less culturally literate with every rotation of this damn rock around the sun), but we do talk about how "alive" the system is all the time. Probably too much, to be honest, as many people like to put the Dreamcast firmly in the "past" folder in their brain, preferring to remember what it was like when it was new and current. This is completely understandable, to view the console solely through a sense of nostalgia especially now that we have so many ways of experiencing the console's library which don't rely on having shelves full of games (or spindles full of CD-Rs). We're in that stage of the console's post-life cycle that has many people who left their video gaming behind when they were young dipping into the console once more, stirring up their memories of happier times, and no doubt probably quite confused as to why some of us never left the machine in the past and have continued to be fascinated by Sega's last great home endeavour to this very day.

Whilst the nostalgia is to be expected, it is the vitality of the current Dreamcast scene which keeps us writing about it. In between the tired posts of social media influencers asking people if they remember Sonic Adventure or Crazy Taxi, there has been an incredibly active scene covering every element of the Dreamcast for years. We have new hardware and controllers, games with online modes re-activated, more translations of Japanese games than I can actually keep track of, books, magazines, an entire series of arcade titles ported to the console, and a strong homebrew community that is creating some astonishing things. And it's that last point that allows me to pivot, finally, towards the point of this article. Alongside homebrew ports of classic titles (as I write this, the recent demo of the Metal Gear Solid 2 port is literally mind blowing) and fun little projects, we've now had 20 years of "proper" retail-released indie titles for the Dreamcast. My aim here is to document all of these in one article. I do love a long article...

I love Dreamcast indie titles. While they are not officially licensed by Sega, there is something very special about receiving a physical version of a game to be played on a console a quarter of a century old. The quality of the Dreamcast indie scene varies, which is to be expected, but even when a game is a bit crappy, I still have a certain sense of respect that it has been released on the console at all. Of course, I am a big weirdo, and will pick up anything you slap a "Dreamcast" label on, but for those who want to be a bit more selective with their hard-earned cash when expanding their Dreamcast library, a subjective view is always useful. In this article I hope to do just that - as well as take a look back at the various versions of the games that were released, where you can pick them up today, and any other interesting things that I can cram in before losing all excitement about writing this already massive article. This will also be constantly updated (hello, future people!) with my views on any new indie release, which will hopefully allow it to be a one-stop-shop for anyone interested in the broad DC indie scene - this will of course sit alongside our regular indie reviews from the entire DCJY team (I can also recommend Laurence's superb roundup of the indie scene in this article, if you want a slightly different perspective). It's also worth checking out our directory of indie developers and publishers, where you'll find direct links to all those involved in the indie scene.

Now, I need to add some context and "rules" here. The scope of this article will not include every single homebrew port or project - the first rule of the article is that it had to have been released physically and could be purchased by anyone. Of course, you can pick up a copy of any of the homebrew ports with nice printed inlays on Etsy - so that's when the second rule comes in: the physical release must have been officially sanctioned by the developer or rights holder. Finally, only full releases will count - so no demos, hacks or mods will be included, although total conversion mods that became standalone games in their own right do count. For the context of this article, only the games that meet the criteria I've just established will be called "indie releases". Will I probably end up breaking these rules to include something that I probably shouldn't? You betcha. Welcome to the wonderful world of "Mike doesn't stick to his own rules". 

Enough of my nonsense (well, enough of this opening bit of nonsense, there's a lot more nonsense that lies ahead, I'm afraid!)  - on with the article!

Vanishing Point: The Dreamcast's Secret Ridge Racer

In early January 2001, while most were still nursing hangovers and recovering from eating too many mince pies, Vanishing Point released on both the Dreamcast and PlayStation to little fanfare in what was an already overcrowded genre. As such, it unfortunately drifted off into obscurity as one of the most misunderstood and underappreciated racing games of its era.

The titular "Vanishing Point" was actually a reference to developer Clockwork Games' ambitions to create a racing game with neither graphical pop up or fog masking the draw distance. It was also inspired by popular arcade racers of the time, such as Sega Rally, SCUD racer, and there is definitely a taste of Ridge Racer in the visual and course design, with planes flying overhead, yachts in harbours, windmills, trains and of course, lots of big fancy bridges. 

Image credit: MobyGames

But before we go any further, let’s get the elephant in the room out of the way. The game's intro footage is about as misleading as any opening FMV could be for a game. You do not directly race against opponents, there are no aggressive two-way or even three-way races, nor are there oncoming tankers with explosions to satisfy even the craziest of pyromaniacs. That said, what is here, is a rather unique take on the arcade racer. Instead of starting at the back and working your way through the pack to first place, the structure is more like an open time trial. This has led to the misconception over the years that Vanishing Point is just a time trial game. While the aim is to beat each race's set time, the real hook of the game is the traffic you have to weave through as efficiently as possible in order to be able to hit that time - you can’t just follow the most obvious path around the course. The traffic is also multi-tiered, adding an extra layer of depth to how you must approach your driving.

There are two types of traffic AI, the first being basic "drone" vehicles which are just cars that happen to be on the road. They pose very little risk, as long as you just don’t plough into them. But what does make the driving of Vanishing Point much more interesting are other racers on the road who are also vying for the fastest time. Being ready to respond to whatever is going to happen in front of you makes getting past these particular drivers much more challenging; they are much less predictable, and will even try to get around the drone traffic, often taking themselves out in the process.

Image credit: MobyGames

This brings the three key pillars of Vanishing Point into view:

  • Momentum
  • Anticipation
  • Threading the line

In order to keep your speed up, you need to carry momentum through the corners of the course into the straights, which entails not slowing down too sharply or steering too heavily. At the same time, you have to anticipate the traffic ahead, and may find that the fastest path forward is also going to lead you directly into a three-car pile-up, adding a great risk/reward hook. This makes threading your line around the course and through the traffic vital, and once you're familiar with the handling, this is an extremely satisfying gameplay mechanic, especially when combined with the incredible sense of speed the faster cars have.

There are a variety of licensed vehicles from several manufacturers available, including Ford, Toyota and Audi, each with their own unique handling and physics models. The differences between the cars provide a good level of variety to races, as it means there are better ways to approach certain courses depending on the vehicle you have selected. The courses and also nicely varied in both layout and aesthetics, which helps to prevent the game from looking and feeling samey as you progress.

Image credit: MobyGames

The structure of the game is very much of its time, having you start with a very limited choice of vehicles and courses, with more choices opening up the further you progress. Not only do you unlock additional vehicles and courses, but there are entire new game modes to discover, including a "Stunt Driver" mode, with objectives for stunts to carry out, and a "Rally" mode. There are also some multiplayer modes, including the usual head-to-head racing, but also "Balloon Buster" and "Chicken Races", which altogether makes Vanishing Point a surprisingly well-rounded package with plenty of replay value. What’s more, although only two can play at a time, the "Knock Out", "Tournament" and "Winner Stays On" modes support up to eight participants.

Image credit: MobyGames

Visually, Vanishing Point has that "PS1 game" look about it… except, with a higher resolution, cleaner textures and a silky smooth frame rate of 60fps. The car models are rendered authentically, if a little lower in detail compared to other games on the system. 

The game is no slouch on the sound front, with some pretty beefy engine sounds and a soundtrack that never quite hits the highs of Sega or Namco’s greatest, but is far from terrible and fits the high-speed action well.

Clockwork Games didn't quite achieve their ambition of making a game that feels like Sega Rally, but once you learn to ignore the urge to correct the oversteer, there is a very smooth and responsive arcade racer worth experiencing. All in all, Vanishing Point stands out as a unique racing title on the system, and with its relatively cheap preowned price, it is a worthy of addition to any Dreamcast owner's collection.

Have you played Vanishing Point? If so, what are your thoughts on it? Let us know in the comments below or via one of our many social media channels.